Henry Miller Books

Autobiografische roman over het verblijf van de schrijver in Parijs rond 1930.

Plexus is the second volume of the scandalous trilogy The Rosy Crucifixion, Henry Miller's major life work Exploring one man's desperate desire for freedom, Plexus is the central volume of Henry Miller's scandalous semi-autobiographical trilogy The Rosy Crucifixion. It finds him in the midst of his stormy marriage to the volatile, duplicitous Mona, and joyfully quitting his dreary job for a hand-to-mouth existence in Brooklyn, as he takes his first steps towards becoming a writer.

This collection of stories and essays takes its title from a long prose reverie in which Henry Miller, after his return to the United States, thinks back to the happy years of middle life which he spent in France. The qualities that make the French unique have seldom been so movingly expressed. The America he had rediscovered does not come off very well by contrast—particularly the Hollywood state of mind, which gets a thoroughly Milleresque going over in the burlesque "Astrological Fricassee." What Miller likes on the American scene are the individuals who have broken through the pattern of conformity, the rare and often isolated creative personalities who are resisting the dehumanization of our so-called “civilization.” He gives us vivid portraits of the painters Abe Rattner, Jean Varda and Beauford Delaney; the sculptor Bufano; and Jasper Deeter, director of the hedgerow Theatre. Two of Henry Miller’s greatest essays are also in this volume: "Murder the Murderer" (on war), a declaration which ranks with Randolph Bourne’s War and the Intellectuals, and, with particular relevance to the censorship codes which kept his Tropics of Cancer and Capricorn out of this country for so long, "Obscenity and the Law of Reflection."

Nexus is the third volume of the scandalous trilogy The Rosy Crucifixion, Henry Miller's major life workThe exhilarating final volume of Henry Miller's semi-autobiographical trilogy, Nexus follows his last months in New York. Trapped in a bizarre ménage-à-trois with his fiery wife Mona and her lover Stasia, he finds his life descending into chaos. Finally, betrayed and exhausted, he decides to leave America and sail for Paris, to discover his true vocation as a writer.

Big Sur is the portrait of a place--one of the most colorful in the U.S.--and of the extraordinary people Miller knew there: writers (& writers who didn't write), mystics seeking truth in meditation (& the not-so-saintly looking for sex-cults or celebrity), sophisticated children & adult innocents; geniuses, cranks & the unclassifiable. Henry Miller writes with a buoyancy & brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book--the testament of a free spirit who has broken through the restraints & cliches of modern life to find within himself his own kind of paradise.

The first novel of Miller's frank, autobiographical trilogy uses dream, fantasy, and burlesque to portray the life of a struggling writer in pre-World War I New York.

The social function of the creative personality is a recurrent theme with Henry Miller, and this book is perhaps his most poignant and concentrated analysis of the artist's dilemma.

Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.”

"Alfred Hitchcock called The Lodger "the first true Hitchcock movie",the one that anticipated all the others. And yet the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, including by Hitchcock himself. The First True Hitchcock follows the twelve-month period encompassing The Lodger's production in 1926 and release in 1927, presenting a new picture of this pivotal year in Hitchcock's life and in the wider film word. Using fresh archival discoveries, Henry K. Miller situates Hitchcock's formation as a director against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, and its most visible export-film. This previously untold story of The Lodger's making in the London fog, and attempted remaking in the Los Angeles sun, is the story of how Hitchcock became Hitchcock."

The controversial, erotic and hilarious companion to the legendary 'Tropic of Cancer', in a new Perennial Modern Classics edition.

Continuing the subversive self-revelation begun in Tropic of Cancer and Tropic of Capricorn, Henry Miller takes readers along a mad, free-associating journey from the damp grime of his Brooklyn youth to the sun-splashed cafes and squalid flats of Paris. With incomparable glee, Miller shifts effortlessly from Virgil to venereal disease, from Rabelais to Roquefort. In this seductive technicolor swirl of Paris and New York, he captures like no one else the blending of people and the cities they inhabit.

In 1939, after ten years as an expatriate, Henry Miller returned to the United States with a keen desire to see what his native land was really like—to get to the roots of the American nature and experience. He set out on a journey that was to last three years, visiting many sections of the country and making friends of all descriptions. The Air-Conditioned Nightmare is the result of that odyssey.

Book by Miller, Henry

In 1939 Miller left Paris and headed out with his friend Lawrence Durrell to explore the Grecian countryside, recording their travels and discoveries. A flock of sheep nearly tramples the two as they lie naked on a beach, the Greek poet Katsmbalis stirs every rooster within earshot of the Acropolis, cold hard-boiled eggs are warmed in a village's single stove, and they stay in hotels that "have seen better days, but which have an aroma of the past". A classic in travel literature, The Colossus of Maroussi is the book Miller would later cite as his favourite.

Henry Miller always said that his best writing was in his letters, and this missive to his friend Alfred Perles is an exuberant, humorous account of his visit to New York in 1935 and return to Europe aboard a Dutch ship. Despite its high repute among Miller devotees, Aller Retour New York has never been easy to find. It was first brought out in Paris in 1935 in a limited edition, and a second edition, "Printed for Private Circulation Only", was issued in the United States ten years later. This edition also includes Via Dieppe Newhaven, a short story about a failed attempt to visit London, in which Henry Miller skewers the British and their habits.

A penniless and as yet unpublished writer, Henry Miller arrived in Paris in 1930. Leaving behind a disintegrating marriage and an unhappy career in America, he threw himself into the low-life of Bohemian Paris with unwavering gusto.

'Quiet Days in Clichy' was banned when first published in 1956, on the charge of pornography. The story focuses on the seamier side of Paris, its seedy world of cheap sex, booze and destitution.

This selection of letters written by Miller, then in his eighties, to his neighbor, a young dancer/actress named Brenda Venus, is interwoven with a text by Venus recounting the course of their relationship.

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller’s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience.

Struggling as a writer amid the bohemianism of 1920s Greenwich Village, well-born Tony Bring must suddenly deal with the knowledge that his beloved wife Hildred has taken her female friend, Vanya, as a lover

"In this, his first extant novel, Henry Miller made his earliest full-fledged attempt at autobiographical fiction, a literary form he was later to perfect in Paris." "Uncovered along with Crazy Cock in 1988 by Miller biographer Mary V. Dearborn, Moloch is based on Miller's years at Western Union and his first marriage. Set in the rapidly changing New York City of the early 1920s, the novel has as its hero the rough-and-tumble Dion Moloch, a man filled with anger and despair. Stuck in a demeaning job and an acrimonious homelife, Moloch escapes to the streets, only to be assaulted by a land that he despises - the transforming Brooklyn and its ever-increasing ethnic sights, sounds, and smells. Moloch strikes out at everything that he hates, battling against a world that threatens to overwhelm and then destroy him." "Brutal and shocking, sometimes awkward and rambling, Moloch displays Miller's first steps toward the motif that he was to make his hallmark: the scathingly direct hero striving for an unflinchingly honest view of himself in a world created out of the writer's life."--BOOK JACKET

A gallery of some of the most important erotic paintings of the 18th, 19th and 20th centuries, featuring work by Manet, Ingres, Daumier, Watteau, Rowlandson, Fragonard, Courbet, Degas, Toulouse-Lautrec, Renoir, Picasso, Magritte, Schiele, Wesselman, and more.

Der Einzelne und die Gesellschaft, kreative Freiheit und Konformismus, American way of life und Europa - das sind die großen Themen der Texte, die hier erstmals gesammelt vorgelegt werden: streitbare Aufsätze aus zweieinhalb Jahrzehnten zu Fragen der Zeit, der Gesellschaft, der Literatur, engagiert, leidenschaftlich und beklemmend aktuell.

Wer war Henry Miller wirklich? Im Gespräch mit seinem langjährigen Freund und Übersetzer Georges Belmont äußerte der große Romancier und Außenseiter der amerikanischen Literatur sehr persönliche Gedanken über sich, seine Bücher, das Leben und die Frauen. Ein literarisches Selbstporträt, das zum Verständnis seines berühmt-berüchtigten Werkes unerlässlich ist.

Proslavljen roman-autobiografija pisca koji je svojim stilom i pojavom utjecao na brojne generacije književnika. Prvi put objavljen 1934. godine, srušio je seksualne tabue otvarajući pitanja o društvenom moralu općenito, promičući time i slobodu čitanja te zbog toga bio dugo i u mnogim zemljama zabranjivan. Sadrži predgovor prvom izdanju Anais Nin, pogovor Antuna Šoljana te pojmovik manje poznatih pojmova i osoba povezanih uz Millera.

Les nombreux textes courts que Henry Miller écrivit sous les formes les plus variées nous rapprochent de l'artiste dans ce foisonnement fait de contradictions, d'engouements, de révolte, mais avant tout, comme un ciment invisible, de morale philosophique.

Joey - so nannte Henry Miller seinen Freund Alfred Perlès, dem er mit diesem Buch ein liebevolles Denkmal setzte. Er erzählt von den Jahren in Paris, als er den immer strahlenden, vergnügten „Windhund“ kennenlernte, und von der gemeinsamen wilden Zeit in der Villa Seurat. Es kommt nicht von ungefähr, daß ihn diese Erinnerungen inspirierten, darüber hinaus über einige Erlebnisse mit dem anderen Geschlecht nachzusinnen.

Henry Miller, der Lebenskünstler und Prophet der sexuellen Revolution unserer Zeit, schreibt auch in diesem Rückblick auf sein unkonventionelles Leben wie seine Anhänger erwarten: offen, furchtlos und mit verständnisvollem Blick für die menschliche Komödie. Ein faszinierender Geschichtenerzähler, ob es wahre Anekdoten über sich selbst, prominente Freunde oder schockierende Kindheitserinnerungen sind.

Henry Miller - Lesebuch - Tief im Blut die Lockung des Paradieses - bk1212; Rowohlt Verlag; Hrg. Heinrich Maria Ledig Rowohlt; Paperback; 1991

James Wrexham, a thoughtful and solitary thirty-nine-year-old, works in a gloomy law firm when he accepts an offer that could change his life: to become the secretary of Mr. Jonathan Scrivener. Hired without ever meeting his employer, Wrexham finds himself alone in Scrivener's apartment, receiving vague instructions through a lawyer, and gradually begins to suspect he is the subject of a sinister experiment. The bizarre series of guests with free access to the house—a young woman of ethereal beauty, a playboy, a cynical alcoholic, a widow who may have killed her husband—certainly does not clarify matters for him. All these restless spirits have stories to tell about Jonathan Scrivener, but their accounts do not align, and the absent host appears at different times as a degenerate, a charming adventurer, a misanthrope, a failed actor, or a genius artist. Who is the man behind this multifaceted personality? What does he truly want from his increasingly perplexed secretary? Published in 1930, this psychological thriller with metaphysical shades retains the eccentric brilliance of its dialogues and the elegance of its original narrative mosaic, compelling the reader to question the elusive nature of human identity.

Werner Schmitz ist seit 1981 als Übersetzer tätig, u. a. von Malcolm Lowry, John le Carré, Ernest Hemingway, Philip Roth und Paul Auster. 2011 erhielt er den Heinrich Maria Ledig-Rowohlt-Preis. Er lebt in der Lüneburger Heide. Henry Miller, der am 26. Dezember 1891 in New York geborene deutschstämmige Außenseiter der modernen amerikanischen Literatur, wuchs in Brooklyn auf. Die Dreißiger Jahre verbrachte Miller im Kreis der «American Exiles» in Paris. Sein erstes größeres Werk, das vielumstrittene «Wendekreis des Krebses», wurde – dank des Wagemuts eines Pariser Verlegers – erstmals 1934 in englischer Sprache herausgegeben. In den USA zog die Veröffentlichung eine Reihe von Prozessen nach sich; erst viel später wurde das Buch in den literarischen Kanon aufgenommen. Henry Miller starb am 7. Juni 1980 in Pacific Palisades, Kalifornien.

Autor/in: Miller, Henry Titel: Der Engel ist mein Wasserzeichen : Erzählungen [Taschenbuch] ISBN: 9783499220760 (früher: 3499220768) Gewicht: 59 g Verlag: Reinbek bei Hamburg : Rowohlt Erschienen: 1996. Sprache: Deutsch Zustand: gebraucht;

Acht Porträts, die aus dem Rahmen fallen. Sieben der liebevoll-spitzfindigen Betrachtungen Henry Millers gelten Weggefährten aus Fleisch und Blut - die achte und zugleich letzte richtete er an sein Fahrrad, das er einem deutschen Sechstagerennfahrer im Madison Square Garden abkaufte.

Eine Huldigung an Freunde aus lang vergangenen Zeiten Henry Miller, der große Tabubrecher der modernen Literatur, war zeitlebens nie bloßer Zuschauer, sondern immer Mitleidender, Mitfreudiger, Mitschuldiger. So auch in seinen Erinnerungen an die Freundschaften der frühen Jahre. „Ein Freund“, sagte er, stattet einen mit tausend Augen aus. Durch seine Freunde lebt man ungezählte Leben."

Hrsg. von Howard, Joyce. Mit Phot. u. farb. Abb. 235 S.

"Das Lächeln am Fuße der Leiter" ist eine Auftragsarbeit Millers, die einzige uns bekannte aus seiner Feder überhaupt. Sie ist 1948 entstanden und sollte zunächst einen Text zu Bildern von Fernand Leger abgeben, aber Erinnerungen an Rouault, Chagall und vor allem Miró verschmolzen sich mit diesen. Miller hat schließlich nicht nur die Geschichte des Clowns August geschrieben, sondern in einem Anhang auch deren Entstehung geschildert und sie damit erst an ihr Ende gebracht.

- La spada, di Yukio Mishima - Riflessioni sulla morte di Mishima, di Henry Miller - Proclama, di Yukio Mishima - L'ideologia della morte folle, di Hashikawa Bunzô - Dietro tanta vivacità un senso di vuoto, di Donald Keene - Mishima, di Marguerite Yourcenar 24 foto in appendice.

Sechs Erzählungen In der Schilderung unbürgerlicher Schicksale und grotesker Situationen erweist sich Henry Miller auch hier als Erzähler von hinreißendem Temperament und als Verfechter ungehemmter Daseinsfreude.

Das erzählerische Kabinettstück Henry Millers: Die Geschichte vom Clown, der sich nicht damit zufriedengeben mag, die Leute zum Lachen zu bringen, sondern ihnen Glückseligkeit schenken will. Ein seltener Glücksfall künstlerischen Zusammenwirkens: den poetischen Traum Henry Millers illustrieren die Blätter von Joan Miró.

Henry Miller, der am 26. Dezember 1891 in New York geborene deutschstämmige Außenseiter der modernen amerikanischen Literatur, wuchs in Brooklyn auf. Die Dreißiger Jahre verbrachte Miller im Kreis der «American Exiles» in Paris. Sein erstes größeres Werk, das vielumstrittene «Wendekreis des Krebses», wurde – dank des Wagemuts eines Pariser Verlegers – erstmals 1934 in englischer Sprache herausgegeben. In den USA zog die Veröffentlichung eine Reihe von Prozessen nach sich; erst viel später wurde das Buch in den literarischen Kanon aufgenommen. Henry Miller starb am 7. Juni 1980 in Pacific Palisades, Kalifornien.

This is a collection of short stories which explore the ultimate in sexual possibility, from a female angle.

Im Alter von 75 Jahren verliebt sich Henry Miller in eine fünfundzwanzigjährige Barsängerin. Voller Lust und Schmerz, aber auch mit heiterer Selbstironie beschrieb und aquarellierte der große Erotiker der modernen Weltliteratur seine Empfindungen.

Hrsg. Keiser, Carolin. Sonderausgabe. 380 S. N.-A.