Conor Cruise O’Brien Book order

Written in 1972 in the wake of Bloody Sunday and direct rule, States of Ireland was Conor Cruise O'Brien's searching analysis of contemporary Irish nationalism: part-memoir, part-history, part-polemic. 'If The Great Melody (1992) is O'Brien's major academic work, States of Ireland is the one that will endure as a vital moment in Irish intellectual and political history.' Roy Foster, Standpoint 'States of Ireland [is] a book which influenced a generation. [O'Brien] saw that partition, while scarcely desirable in itself, recognized the reality of two different communities in the island, and that the Dublin state's formal irredentist claim on Northern Ireland was undemocratic and even imperialistic, as well as insincere. The republican ideology to which most Irish people paid lip service was a shirt of Nessus, he later wrote: "it clings to us and burns".' Geoffrey Wheatcroft, Oxford Dictionary of National Biography

Conor Cruise O'Brien's brilliant and hugely controversial 1965 essay on the political convictions of W. B. Yeats is the title-piece for this superb 1988 collection of pieces on politics, religion, nationalism and terrorism.'O'Brien is a man of strong views, and he writes with verve and wit. Agree with him or not, one reads him with enjoyment.' Foreign Affairs'[Passion and Cunning] displays once again [O'Brien's] wonderful range of talents: a beautiful command of the language, gentle wit and coruscating satire, shrewd political judgment and a raking critical power. O'Brien is, moreover, a critic against all-comers, his spiky guns pointing in all directions: woe betide anyone incautious enough to presume that O'Brien is on their 'side'. . . O'Brien believes in all manner of good causes, but his own independence is finally what he cares about most.' R. W. Johnson, London Review of Books

Conor Cruise O'Brien's majestic meditation on the life and writings of Burke was originally published in 1992. 'O'Brien [had] been brooding on Edmund Burke for decades. "It", he decided, was the abuse of power.' Paul Johnson, Independent on Sunday 'The best book about Edmund Burke ever written .

Focuses on the figure of Charles Stewart Parnell, leader of the Irish Parliamentary Party and formidable proponent of Home Rule whose career was abruptly ruined by the 'Mrs O'Shea' divorce scandal of 1890 that split his party and dominated Irish politics for a generation.

The first literary phase in the brilliant and protean career of Conor Cruise O'Brien was his work as critic for Dublin literary magazine The Bell, which begat this collection of essays first published in 1952 (under the pseudonym 'Donat O'Donnell', as O'Brien was then a working civil servant). In it, O'Brien set himself to a study of 'the patterns of several exceptionally vivid imaginations which are permeated by Catholicism' - from Graham Greene and Evelyn Waugh to Francois Mauriac and Paul Claudel - and to analyse 'what those patterns might share'. The originality and flair of Maria Cross won O'Brien many vocal admirers, among them Dag Hammarskjöld, cerebral Secretary-General of the United Nations. 'A most interesting and at times brilliant book, admirably and wittily written.' New Statesman 'One of the most acute and stimulating books of literary criticism to be published for some years.' Spectator

'A spirited attack on Thomas Jefferson . But Conor Cruise O'Brien proposes - in this magisterial 1998 work - that Jefferson's own passions waned in the America of the 1790s once French egalitarian ideals ran up against the slave-based Southern economy he supported.'His thesis will seem like heresy to many people in America .

Conor Cruise O'Brien's penetrative reading of Albert Camus, Nobel laureate and author of L'Étranger and La Peste, was originally published in 1970.'O'Brien's Camus is brilliant. While having been himself profoundly moved by Camus's work, he asks why students have so often misinterpreted him.' Marghanita Laski, The Times'[Camus] displays O'Brien's cultivated intelligence at its most joyous pitch, and . . . demonstrates his unique critical talent . . . [O'Brien] demonstrates that Camus was far from being an exemplar of the truly independent intellectual and that his conception of "Mediterranean culture" served to legitimise France's possession of Algeria . . . O'Brien's prose has a sweet rigour as he first explores Camus's sense of estrangement and unreality, and then places his work within a social context.' Tom Paulin, Times Literary Supplement

In Herod: Reflections on Political Violence (first published in 1978) Conor Cruise O'Brien collects a number of essays alongside three short plays that dramatise political arguments through the infamous figure of the Roman king of Judaea for whom the collection is named.'A great book. In it, O'Brien not only denounces IRA terrorism, as you would expect from a mainstream politician, but - in a sense quite different from the rationalisations offered by ideological apologists for political violence - seeks to understand it. I mean, really understand it - not extenuate it by equivocation and non sequitur. And his thinking leads him to attack the republican mythology at the heart of the Irish state. Few writers have analysed terrorism so acutely or been as effective in undermining its ideological justifications.' Oliver Kamm, from his preface to this edition

Arguably Conor Cruise O'Brien's most influential and admired book was this brilliant collection of essays - on history, literature and public affairs - first published in 1965. 'I can still remember the excitement with which I discovered a copy of Writers and Politics, in a provincial library in Devonshire thirty years ago. Nobody who tries to write about either of those subjects, or about "the bloody crossroads" where they have so often met, can disown a debt to the Cruiser.' Christopher Hitchens, London Review of Books'When a liberal can write such pieces as "Mercy and Mercenaries", "Journal de Combat", "Varieties of Anti-Communism", "A New Yorker Critic", and "Generation of Saints", an important voice has returned to our culture.' Raymond Williams, Guardian

Through a critical lens, this examination delves into Thomas Jefferson's complex relationship with the French Revolution, portraying him as both an alienated figure and an ardent supporter of revolutionary ideals. O'Brien highlights Jefferson's political pragmatism, juxtaposed with his commitment to a slave-based economy, revealing a tension between his egalitarian beliefs and societal realities. The book raises provocative questions about Jefferson's legacy in today's multiracial America, linking his ideals to contemporary extremist ideologies and challenging conventional views of his historical significance.