This book delves into the profound influence of Waiting for Godot on theatrical practices and its diverse interpretations throughout time. It examines how the play has reshaped modern theatre, exploring its themes, character dynamics, and philosophical implications. Through critical analysis, the text highlights various perspectives and adaptations, showcasing the enduring relevance of this iconic work in the performing arts.
A invaluable survey of French theatre since 1968 Mise en Scène is a book in two parts. The first half is a probing look at French theatre now, providing an historical and critical survey of drama and theatre in France since 1968. It explores playwrights such as Samuel Beckett, Marguerite Duras, Michel Vinaver and Bernard-Marie Koltès and directors of international reputation such as Peter Brook, Robert Wilson, Roger Planchon, Antoine Vitez, Patrice Chereau and Ariane Mnouchkine. The second part of Mise en Scène features a comprehensive listings guide to major theatre companies, insitutions, festivals, training schools and invaluable A-Z profiles of contemporary playwrights and directors from France.
Monologue is a significant element in modern and postmodern theatre, exemplified by figures like Samuel Beckett and Harold Pinter. This collection features original essays by theatre scholars and practitioners that explore the complexities of monologue in contemporary drama and performance, focusing on narrative ambiguities and authenticity. It serves as a vital resource for understanding the evolving landscape of drama, performance, and subjectivity. The essays encourage a redefinition of critical frameworks, offering diverse perspectives that inspire further research. Despite some redundancies and less effective arguments, the carefully curated material promises to be a valuable asset for critics, scholars, students, and theater enthusiasts alike. Produced by Litteraria Pragensia at Prague University, this collection is part of a distinguished series known for its engaging and thought-provoking publications. Future offerings from Pragensia are highly anticipated. The editor, Clare Wallace, is a lecturer at Charles University and the University of New York, Prague, with a focus on contemporary Irish and British drama, having published works on notable authors such as Joyce and Marina Carr.