Focusing on the enduring legacy of a legendary rock band, this comprehensive history is crafted by its official historian and publicist. It offers a detailed chronicle that appeals to devoted fans and those interested in the 1960s counterculture. Rich in insights and anecdotes, it captures the essence of the band’s influence and the cultural movements surrounding it, making it an essential read for music enthusiasts and historians alike.
These never-before-published interviews with Jerry Garcia reveal his thoughts on religion, politics, his personal life and his creative process. Jerry on Jerry provides new insight into the beloved frontman of the Grateful Dead in time for the 50th Anniversary of the band.
The Grateful Dead were one of the most fascinating rock bands and cultural phenomena of the 20th century. Despite having few mainstream or Top 40 hits, over the 30 years of their history they acquired a dedicated following of fans, known as Deadheads, mostly through their live performances. Known for their creative use of narcotics, and of course for their inspired musical experiments with its long improvisations, fusing blues, folk, and country, the Grateful Dead were more than just a fun-loving rock band; they were more like a religion or a cult.
The book delves into the historical roots of social dissent that shaped the cultural landscape of the 1960s. It examines the evolution of American culture and music over the last 150 years, highlighting the influence of African American culture on Western European traditions. By tracing this progression from the minstrel era to iconic figures like Bob Dylan, it reveals the complex interactions that contributed to significant cultural shifts in America.
Father McNally has written a history of the form and function of Catholic church decoration, from the early Christian churches in Italy to the present, with attention to its effectiveness as a tool for the liturgy and for conveying a clear sense of the divine to the viewer. His critique extends to current church decoration, which he argues lacks the creative force and narrative power of that used in the past.
Exploring the intersection of faith and creativity, McNally delves into the Church's revitalized engagement with the arts. He emphasizes the importance of artistic freedom for genuine expression within the Church and highlights the potential consequences of restricting that freedom. Through personal and professional insights, the book advocates for a supportive environment where art can thrive as a vital aspect of spiritual life.