Partha Mitter Books

In this fascinating study, Partha Mitter traces the history of European reactions to Indian art, from the earliest encounters of explorers with the exotic. East to the more sophisticated but still incomplete appreciations of the early twentieth century. Mitter's new Preface reflects upon the profound changes in Western interpretations of non-Western societies over the past fifteen years.

The English poet, philosopher, and literary critic William Empson considered 'The Face of the Buddha' to be one of his finest works and was heartbroken when he lost the only copy in the wake of World War Two. Its recent rediscovery means the book can now be offered for the very first time exactly as he intended.

Focusing on the intersection of art and nationalism during the final decades of British rule in India, this book uncovers a previously overlooked aspect of modern art. It showcases a diverse collection of artworks and highlights the contributions of lesser-known Indian artists, providing valuable insights into their significance and impact within the broader context of colonial history.

Empson has long been applauded for the dazzling intelligence and emotional passion of his poems. Praised in his lifetime by the likes of T.S. Eliot, Dylan Thomas and John Betjeman, his reputation contines to be high. His poems take a wide range of themes from metaphysics to melancholy, social climbing to political satire, and from love to loss. schovat popis

This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts.Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene.The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.