Prélude, Fuge et Variation, Opus 18
Bearbeitung für 2 Gitarren






Bearbeitung für 2 Gitarren
César Franck (1822-1890) wrote his Mass in A Major, Op. 12 in the summer of 1860. It was later revised in 1872, with the then newly composed Panis angelicus replacing the original movement O salutaris. Originally written for voice and orchestral accompaniment, the 1872 arrangement was only scored with organ, harp, cello, and double bass accompaniment. This edition of Panis angelicus was transcribed by Leopold Stokowski for wind instruments and strings. Instrumentation: 4.1.3+BCl.3+CBsn: 4.0.4.1: Str (9-8-7-6-5 in set).
Composed between 1886 and 1888, Franck's only mature symphony premiered in 1889, initially receiving mixed reviews but later gaining popularity and being performed globally by the early 20th century. The manuscript was dedicated to Henri Duparc, but tragically, it was lost in a fire in 1935.
The narrative follows a defiant count who chooses to hunt on a Sunday, ignoring warnings from church bells and elders. His actions lead to a curse, condemning him to be eternally pursued by demons. As he flees through the forest, he faces relentless torment, surrounded by flames and chased day and night. The story culminates in his and his horse's fall into an abyss, yet they continue their wild ride through the air, trapped in a cycle of eternal punishment. This tale explores themes of defiance and consequence.
This edition features a complete Urtext version of César Franck's Violin Sonata in A major, ensuring an authentic representation of the composer’s intentions. Collated and produced by Stephen Street, it aims to provide musicians with a reliable score that reflects the original manuscript accurately, making it an essential resource for performers and scholars alike.
César Franck's Psalm 150, completed in 1883 but published posthumously in 1890, is presented in a new edition by Richard Sargeant. This edition features English text based on the King James translation and is designed specifically for chorus members. The chorus staves are printed in a large size with a highly readable font, ideal for challenging lighting conditions. Additionally, the organ reduction is formatted with smaller, cue-sized notes for easy reference, enhancing usability for performers.