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Ben Macpherson

    Poems Twice Told
    Cultural Identity in British Musical Theatre, 18901939
    • Cultural Identity in British Musical Theatre, 18901939

      Knowing Ones Place

      • 264 pages
      • 10 hours of reading

      Exploring the performance of 'Britishness' on the musical stage, this book delves into a significant era in British history, highlighting the musical stage's role in late-Victorian popular culture. It presents seven interconnected narratives through a re-examination of over fifty archival play-scripts. The first part addresses domestic identities and the complexities of nationhood, class, and gender, while the second part revisits themes of Empire and Otherness, culminating in reflections on the Great War and interwar period, portraying a nostalgic view of 'Britishness' amid national anxieties.

      Cultural Identity in British Musical Theatre, 18901939
    • Poems Twice Told

      • 96 pages
      • 4 hours of reading
      4.0(20)Add rating

      This volume brings together two collections - one well known but unavailable for some time, the other little known - by a distinguished Canadian poet. The Boatman, first published in 1957, was one of the outstanding poetry collections of the 1950s and the winner of a Governor General's Award. It is an intricate sequence of short epigrammatic poems - in which there are echoes of ballads, carols, nursery rhymes, and hymns - that bear a whole cosmos of the poet's invention, constructed from Biblical and classical allusions. Welcoming Disaster was privately published in 1974 and will now reach the wider audience it deserves. Reviewing it in Poetry (January 1976), David Bromwich referred to Jay Macpherson's 'grandness' and 'verve', and 'She will put readers in mind of Graves and Wordsworth, of Auden and Dickinson and Stevie Smith, of every poet who ever wrote truly about innocence and its unlucky master, love.'

      Poems Twice Told