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M. Keith Booker

    Historical Dictionary of American Cinema
    Historical Dictionary of Science Fiction Cinema
    American Noir Film
    Dubliners
    Things Fall Apart
    Mad Men
    • 2024

      American Noir Film

      From The Maltese Falcon to Gone Girl

      • 240 pages
      • 9 hours of reading

      Exploring the evolution of American noir film, this book delves into the genre's classic and neo-noir phases, highlighting its enduring tropes and appeal. It analyzes iconic films like Double Indemnity and Sunset Boulevard, as well as modern entries such as Under the Silver Lake and Promising Young Woman. Through this examination, it reveals how the genre has adapted while retaining its unique characteristics that continue to resonate with audiences.

      American Noir Film
    • 2022

      Dubliners

      • 192 pages
      • 7 hours of reading
      3.7(607)Add rating

      "Since its publication in 1914, Dubliners has been arguably the most famous collection of short stories written in English. Through what James Joyce described as their "style of scrupulous meanness," the stories collectively present a direct, sometimes searing view of the city of Dublin in the twentieth century. This Norton Critical Edition is based on Hans Walter Gabler's scholarly edition and includes Gabler's edited text, his textual notes, and a newly revised version of his introduction, which details and discusses the complicated publication history of Dubliners. Explanatory annotations are provided by the volume editor, Margot Norris." ""Contexts" is a rich collection of materials intended to bring Dubliners to life for twenty-first-century readers. The Irish capital of a century ago is captured through photographs, maps, songs, newspaper items, and advertising. Early versions of two of the stories and Joyce's satirical poem about his publication woes provide additional background." ""Criticism" includes eight interpretive essays that illuminate some of the stories most frequently taught and discussed -"Araby," "Eveline," "After the Race," "The Boarding House," "Counterparts," "A Painful Case," and "The Dead." The contributors are David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng. A Selected Bibliography is also included."--BOOK JACKET.

      Dubliners
    • 2021

      Historical Dictionary of American Cinema

      • 654 pages
      • 23 hours of reading

      Featuring over 600 cross-referenced entries, this comprehensive resource explores key figures, films, companies, techniques, themes, and subgenres that shape American cinema. It includes a detailed chronology and an extensive bibliography, making it an essential reference for understanding the impact of American film on global culture. The combination of historical context and thematic analysis offers valuable insights for both enthusiasts and scholars of cinema.

      Historical Dictionary of American Cinema
    • 2020

      Featuring over 400 cross-referenced entries, this comprehensive resource delves into key personalities, films, companies, techniques, themes, and subgenres of science fiction cinema. The second edition includes a detailed chronology and an extensive bibliography, making it an essential reference for enthusiasts and scholars alike.

      Historical Dictionary of Science Fiction Cinema
    • 2016

      Mad Men

      A Cultural History

      • 316 pages
      • 12 hours of reading
      3.7(18)Add rating

      Exploring the cultural significance of a renowned television series, this book delves into themes such as evolving gender roles, family dynamics, and workplace relationships in the context of the American experience. It highlights how audiences connect with quality television to shape their identities and understand their lives, reflecting on the past while navigating contemporary issues.

      Mad Men
    • 2010

      Things Fall Apart

      • 85 pages
      • 3 hours of reading
      3.8(4606)Add rating

      THINGS FALL APART tells two overlapping, intertwining stories, both of which center around Okonkwo, a “strong man” of an Ibo village in Nigeria. The first of these stories traces Okonkwo's fall from grace with the tribal world in which he lives, and in its classical purity of line and economical beauty it provides us with a powerful fable about the immemorial conflict between the individual and society. The second story, which is as modern as the first is ancient, and which elevates the book to a tragic plane, concerns the clash of cultures and the destruction of Okonkwo's world through the arrival of aggressive, proselytizing European missionaries. These twin dramas are perfectly harmonized, and they are modulated by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. THINGS FALL APART is the most illuminating and permanent monument we have to the modern African experience as seen from within.

      Things Fall Apart