Three
- 160 pages
- 6 hours of reading
This enigmatic novel, from one of Britain's most important writers of the post-war avant-garde, explores suicide, marriage and class.
Ann Quin was a British writer noted for her experimental style and unique narrative voice. Her work often delves into themes of identity, sexuality, and alienation, exploring the intricate relationships between characters and their inner lives. Quin employed unconventional narrative techniques and linguistic experimentation to create works that are both provocative and deeply evocative. Her prose is characterized by a raw intensity that draws readers into unconventional storytelling.




This enigmatic novel, from one of Britain's most important writers of the post-war avant-garde, explores suicide, marriage and class.
Ann Quin's wildest, funniest, freakiest, kinkiest, and best novel - a road- trip novel, a graphic novel, a spy novel, a Beat novel, an anti-novel - is available again, to inspire a new generation of mavericks.
The much-anticipated republication of Ann Quin's masterpiece of post-war British fiction: caustic, thrilling, unforgettable.
A poetic book of voices, landscapes and the passing of time, Ann Quin's finely wrought novel reflects the multiple meanings of the very word "passages." Two characters move through the book--a woman in search of her brother, and her lover (a masculine reflection of herself) in search of himself. The form of the novel, reflecting the schizophrenia of the characters, is split into two sections--a narrative, and a diary annotated with those thoughts that provoked the entries.