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Peter Weiss

    Peter Weiss was a German writer and artist whose work often delves into the complexities of societal power dynamics and the tension between opposing ideologies. His prose is characterized by intensity and autobiographical elements, infused with Kafkaesque details that explore existential quandaries. A master of dramatic form, Weiss frequently employed the 'play within a play' technique to dissect and confront grand ideas and their opposites. His internationally acclaimed works continue to resonate for their incisive analysis of historical and social conflicts.

    The Shadow of the Coachman's Body
    Conversation of the Three Wayfarers
    Leavetaking
    Marat sade
    The Aesthetics of Resistance, Volume 1
    The Aesthetics of Resistance, Volume II
    • The Aesthetics of Resistance, Volume II

      • 336 pages
      • 12 hours of reading

      Originally published in German in 1978 and appearing here in English for the first time, the second volume of Peter Weiss's three-volume novel The Aesthetics of Resistance depicts anti-fascist resistance, radical proletarian political movements, and the relationship between art and resistance from the late 1930s to World War II.

      The Aesthetics of Resistance, Volume II
    • The Aesthetics of Resistance, Volume 1

      • 325 pages
      • 12 hours of reading
      4.2(193)Add rating

      Regarded by many as one of the leading works of this century, this novel documents the resistance to fascism in Europe (and within Germany) during WWII.

      The Aesthetics of Resistance, Volume 1
    • Leavetaking

      • 125 pages
      • 5 hours of reading
      3.7(173)Add rating

      A brilliant and brutally honest autobiographical novel, long out of print, captures the narrator's quest to escape a repressive upper-middle-class upbringing and pursue a life as an artist. This Sebaldian narrative unfolds in a single incantatory paragraph, detailing a childhood and adolescence in Berlin between the wars. The story delves into family life, marked by the early death of the beloved sister Margit, a strained relationship with parents, and the fantasies of youth, all set against a backdrop of rising anti-Semitism that forces the family to relocate frequently, intensifying the narrator's restlessness. While largely oblivious to world events, the young narrator is fixated on becoming an artist, a dream thwarted by his environment and notably by his mother, a former actress who destroys his paintings during their moves. Ultimately, he finds guidance in an older mentor, Harry Haller, a fictionalized version of Hermann Hesse, who inspires and supports him. With Haller's influence, the narrator embarks on a journey toward independence. Intensely lyrical and imaginatively powerful, this work vividly evokes a lost world and the narrator's evolving consciousness. The NEVERSINK LIBRARY celebrates overlooked and underappreciated books, presenting them in well-designed editions to enrich our culture.

      Leavetaking
    • Conversation of the Three Wayfarers

      • 80 pages
      • 3 hours of reading
      3.5(30)Add rating

      The narrative unfolds through a unique three-sided monologue by the wayfarers Abel, Babel, and Cabel, who share curious incidents that intertwine their lives in a surreal manner. The prose is strikingly original, characterized by intricate sentence structures that create a captivating reading experience. This rediscovered work by Peter Weiss will resonate with fans of Kafka, Musil, and Gombrowicz, offering a delightful exploration of identity and existence through its blend of distinct perspectives.

      Conversation of the Three Wayfarers
    • Alessandro Mendini

      • 184 pages
      • 7 hours of reading

      Alessandro Mendini Mendini machte sich als Theoretiker des italienischen Avantgardedesigns und Impulsgeber für neue Tendenzen verdient. In den späten 1970er Jahren entwarf er Möbel, die das Bild des italienischen Designs veränderten und stellte die bis dahin unangefochtene Position des „Bel Designs“ kritisch in Frage. Er plädierte für Freiräume für Banales und Triviales und entwickelte das sogenannte Banaldesign, indem er Gegenstände des alltäglichen Gebrauchs in neue, ironische Objekte transformierte. Mendini selbst beschrieb diese Verwandlung von bereits bestehenden Gegenständen mit dem Begriff des „Re-Design. Das Buch ist eine Hommage anlässlich des 80. Geburtstages und vereint eine Vielzahl von Designobjekten aus dem 40-jährigen Schaffen Mendinis in einer vom Künstler selbst gestalteten Ausstellungsarchitektur. Sie lässt den Besucher eintauchen in eine facettenreiche Szenerie, in Mendinis arrangiertes mikrokosmisches Weltbild, das neben Universalität und Poesie durch farbige Opulenz und Exotik der Objekte erstaunt und verwundert – eine Hommage anlässlich seines 80. Geburtstags.

      Alessandro Mendini
    • This book, unique of its kind, informs the reader about the history and development of Slovakia and the Slovaks. The chapters focus on Slovakia’s political history as a nation living under Hungarian rule; the formation of a common democratic state with the Czechs since 1918; the subsequent fall of that state, destroyed by successive dictatorships imposed from abroad, and its eventual restoration. Although the reader learns about political, economic and social developments under the Communist regime, the book focuses on the years following the Velvet Revolution of 1989 and the Velvet Divorce of 1993: the new role of the churches, the new orientation of foreign policy towards the West, and the transformation of the centrally planned economy into a market economy. In 1993, Slovakia became a sovereign state; in 2004, the Slovaks’ successful accomplishment of the difficult transition of economy, politics and society was rewarded with EU membership. This book is rich in detail and sources available to the Western reader for the first time. It is recommended to everybody interested in the history of the Slovaks in Europe and the European Union.

      Slovakia : a European story
    • Die Ästhetik des Widerstands

      Roman

      • 260 pages
      • 10 hours of reading
      4.4(73)Add rating

      Zwischen 1975 und 1981 erschien sein »literarisches Hauptwerk«, so bezeichnete Peter Weiss Die Ästhetik des Widerstands. Der Roman war und ist ein Kultbuch. Wer kennt nicht die Eingangsszene, die Analyse des Pergamonaltars im Berlin des Jahres 1937 durch Mitglieder des Untergrunds, und die letzten, von Melancholie getränkten Reflexionen über die mögliche Erfolglosigkeit des Widerstands gegen den Faschismus? An Versuchen, die Singularität der Ästhetik des Widerstands anzudeuten, hat es nicht gefehlt: die einen verglichen das Werk mit Marcel Prousts Auf der Suche nach der verlorenen Zeit, andre fühlten sich an James Joyce' Ulysses erinnert, wieder andere an Walter Benjamins Passagen-Werk. Die beiden Ausgaben, in der Bundesrepublik die des Suhrkamp Verlags, Frankfurt am Main, in der DDR ab 1983 die des Henschel Verlags, Ost-Berlin, weichen im Textbestand vor allem im dritten Teil beträchtlich voneinander ab. Nun hat der ausgewiesene Philologe und Weiss-Kenner Jürgen Schutte die definitive Fassung erstellt: Sie präsentiert den Text nach den Vorgaben von Peter Weiss.

      Die Ästhetik des Widerstands
    • Hölderlin

      Stück in zwei Akten

      Diese Neufassung beleuchtet die komplexe Beziehung zwischen Hölderlin und Figuren wie Goethe und Schiller und deren unterschiedliche Erfolge. Sie betont den Gegensatz zwischen Anpassung und Isolation. Zudem wird der vierte Stand thematisiert, dessen Realität die Vielfalt menschlicher Erfahrungen und Perspektiven verdeutlicht.

      Hölderlin