Monica Youn Books

From From is an extraordinary collection by a poet whose daring and inventive works are among the most vital in contemporary literature.

"Barter exchanges history for myth, direct speech for epistles, activity for observation . . . breathtaking." ―Claudia Rankine Felix the Rat's hind feetcould be Barbie hands―same pink, sameinjection-molded seaming. ―from "Electronica" The poems in Barter , Monica Youn's exciting first collection, negotiate transactions between scarcity and excess, pornography and abstraction, the thing and the thing seen. Rendered with a dazzling array of structures and allusions, these poems describe―and become―a strange gallery of paintings and portraits. She offers a Polaroid left on a windshield, step-by-step instructions for "Drawing for Absolute Beginners," a stereoscope with a box of slides. Both an homage to and a warning against nonexistent things, Barter introduces a vibrant new voice and a new way of seeing.

*Winner of the William Carlos Williams Award* *National Book Critics Circle Award Finalist* *Included in The New York Times Best Poetry of 2016* *Named one of The Washington Post's Best Poetry Collections of 2016* * Longlisted for the National Book Award* “Blackacre” is a centuries-old legal fiction—a placeholder name for a hypothetical estate. Treacherously lush or alluringly bleak, these poems reframe their subjects as landscape, as legacy—a bereavement, an intimacy, a racial identity, a pubescence, a culpability, a diagnosis. With a surveyor’s keenest tools, Youn marks the boundaries of the given, what we have been allotted: acreage that has been ruthlessly fenced, previously tenanted, ploughed and harvested, enriched and depleted. In the title sequence, the poet gleans a second crop from the field of Milton’s great sonnet on his blindness: a lyric meditation on her barrenness, on her own desire—her own struggle—to conceive a child. What happens when the transformative imagination comes up against the limits of unalterable fact?