Paul Liss Book order

This remarkable publication examines a collection of works by the British painter Charles Mahoney (1903-1968).

Beautifully illustrated catalogue on the life and work of 20th century British abstract artist, John Cecil Stephenson, which accompanies an exhibition at Burgh House, UK.

Hugh Finney was a painter, draughtsman and teacher who trained initially at Bromley School of Art, where he attended evening classes from 1915, and then at Beckenham School of Art to where he won a trade scholarship in 1918. He studied painting with Amy Katherine Browning and etching with Eric Gill. Around 1927 he won a scholarship to the Royal College of Art, where he studied under William Rothenstein. Horton, Houthuesen, Ososki and Freedman were amongst his friends at the college. In 1929 after graduation he took up a travelling scholarship to Rome returning to teach part-time at Chelsea School of Art under Percy Jowett and later Harold Sandys Williamson. From 1927-1934 he exhibited at the NEAC. In 1935 his painting Mother and Child was acquired by Carlisle Art Gallery. During WW2 Finney worked for the light rescue service of the Civil Defense. After the war he taught part time under Anthony Betts at Reading University and was in charge of life drawing there when he retired in 1970. Although he was reclusive and reluctant to show his work he did exhibit at the RA Summer exhibition (in 1950 and 1954) and the Portrait Society and at The Paris Salon. A large solo exhibition took place at the University of Oxford’s Institute of Education in 1964.

The biography details the life of Ziegler, a London-born artist who studied at the Central School of Arts and Crafts and the Royal College of Art under William Rothenstein. Influenced by notable contemporaries and fellow Jewish artists, his early work reflects the golden age of the RCA. After his studies, he taught drawing and painting at St. Martin’s School of Art and Art History at Morley College. Ziegler's work gained recognition through various publications and numerous exhibits at the Royal Academy, showcasing local scenes throughout his career.

Focusing on the life of slate-carver John McKenzie, the narrative explores his unique creative process within the confines of his garden shed, where he crafted art for personal fulfillment. By day, he served as a steward at H.M.S. Condor in Scotland, yet his work reflects a deep connection to ancient civilizations and mythology, hinting at a rich intellectual background. Although a list of his carvings exists, the details of his influences and inspirations remain a mystery, illustrating that his solitude was enriched by a world of artistic and literary engagement.

Victor Hume Moody's artwork embodies a revival of classical painting techniques, merging traditional figure composition with the serene English landscape. Over his nearly 70-year career, he resisted contemporary trends, focusing instead on the rich heritage of Western art. Following his passing, his reputation has grown, highlighted by notable exhibitions such as "The Last Classicist" and "Counterpoint - Modern Realism." The recent catalog of his works, stemming from his daughter's estate, aims to further enhance the appreciation and understanding of Moody's artistic legacy.