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Doreen Bärwolf

    John Dryden and his drama concept on the example of his tragedy "All for Love, or the World well lost" in comparison to Aristotles drama concept
    "The Wave" as an exchange project
    How Jewish is the Jew of Malta?
    The interior versus the exterior in Orson Welless Macbeth and Laurence Oliviers Hamlet in comparison
    Elements of the Holy Grail Quest in David Lodges Small World
    The Causes of the American Civil War
    • 2024

      A dark, driven force of nature, living to kill, is haunting the streets of Harlem, New York City. The only person able to find and stop him must be a brilliant detective with a special gift. Follow the traces together with Alex Foster of the NYPD on her chase of a monster. She has to work fast to find a cruel murderer who only has one goal, to smell the scent again.

      The Scent. Life is a Story - story.one
    • 2010

      Focusing on the multifaceted causes of the American Civil War, this seminar paper delves into the complexities leading to the conflict between 1861 and 1865. It challenges the oversimplified view that slavery was the sole cause, instead highlighting various factors such as morality, the Westward movement, and ethnic tensions that developed from the Declaration of Independence in 1776 to the war itself. The analysis underscores the intricate interplay of events and issues that culminated in this pivotal moment in American history.

      The Causes of the American Civil War
    • 2010

      The author’s background as a child of diverse religious heritage and his academic journey shaped his literary career. David Lodge, starting as a lecturer, gained recognition through his trilogy, which includes "Changing Places," "Small World," and "Nice Work." These novels explore the academic world with humor and critique amidst the rising competition in post-WWII universities. Lodge's innovative approach to fiction earned him prestigious awards and adaptations, significantly influencing modern literature.

      Elements of the Holy Grail Quest in David Lodges Small World
    • 2010

      The paper explores the enduring influence of Shakespeare, particularly in film adaptations during the twentieth century. It highlights the competitive landscape among renowned directors who brought Shakespeare's works to the screen, focusing on notable adaptations by Laurence Olivier and Orson Welles. Both directors excelled in multiple roles, combining their talents as actors, directors, and producers. The analysis specifically centers on Olivier's "Hamlet" and Welles' "Macbeth," examining their unique interpretations and contributions to cinematic portrayals of Shakespearean drama.

      The interior versus the exterior in Orson Welless Macbeth and Laurence Oliviers Hamlet in comparison
    • 2010

      The paper explores Christopher Marlowe's "The Jew of Malta," written around 1590 during a tumultuous period in England marked by religious and political upheaval. Queen Elizabeth I's efforts to shift from Catholicism to Protestantism and the influence of Martin Luther's reformation in Germany created a complex backdrop. The Renaissance era, characterized by significant changes and turmoil, also saw the persecution of Jews, who were scapegoated for societal issues. This context shapes the themes and characters in Marlowe's work.

      How Jewish is the Jew of Malta?
    • 2010

      Exploring the psychological and societal factors behind dictatorship, this lesson plan analyzes a film based on true events, where a history teacher engages students in critical discussions about the rise of National Socialism in Germany. It prompts students to reflect on historical accountability, the nature of mass movements, and the potential for modern authoritarianism. The plan aims to foster deep understanding and provoke thought about the implications of history on contemporary society, making it relevant for discussions in pedagogy and literature studies.

      "The Wave" as an exchange project
    • 2010

      Exploring the intersection of drama theory and literary adaptation, this seminar paper examines John Dryden's concepts of drama in relation to Aristotle's principles, using Dryden's "All for Love" and Shakespeare's "Antony and Cleopatra" as case studies. It argues that Dryden adhered closely to Aristotelian principles, significantly influencing the tragedy genre in his era and beyond. The analysis highlights Dryden's role as a pivotal figure in 17th-century literature and his contributions to the understanding of dramatic structure and theory.

      John Dryden and his drama concept on the example of his tragedy "All for Love, or the World well lost" in comparison to Aristotles drama concept