Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.
Essays fra konferencen "Re-reading Warhol: The politics of pop" afholdt på Duke University i 1993
Ulrike Rosenbach's work is pivotal in the history of performance and video art, addressing themes of female identity, feminism, and the relationship between humanity and nature. This monograph features contributions that explore how her diverse media—photography, video, sculpture, and installation—interact with her performance practice. It offers a unique insight into five decades of her artistic contributions, highlighting the ongoing relevance of her themes in contemporary discourse.
Jennifer Doyle shares her experience with harassment complaints on college campuses, showing how harassment profoundly reshaped her relationship to her work, writing, and ultimately to herself.