Renée Vink Books

"Both Rings were round and there the resemblance ceases," wrote J.R.R. Tolkien about the rings in his epic The Lord of the Rings and Richard Wagner's opera cycle The Ring of the Nibelung. Or did he? The answer is not as straightforward as many Tolkien fans believe, whether they agree with the statement or consider it misguided. Nor is the statement itself as transparently defensive as some Wagner buffs suggest. Much has been said and written about Wagner and Tolkien, a subject that tends to generate a certain amount of heat, mostly due to the former's controversial status as Hitler's favourite composer. But until now the various, often contradictory opinions and the facts and perceptions on which they are based were rarely discussed at length or analysed in depth. The publication in 2009 of Tolkien's The Legend and Sigurd and Gudr n with its partly Wagnerian content reinforced the need for a systematic treatment of the subject. This book offers one. There is more to both Rings than their common roundness, and the resemblance between Tolkien and Wagner goes beyond a Ring of Power and some narrative elements: they shared a number of preoccupations and interests - nature, nation, the North, death and immortality, language and above all, myth. This is a book about the two great mythmakers of their times, and about what they have in common despite everything that separates them.

Ancient Rome is the setting for the superb new novel from Robert Harris, author of the number one bestsellers Fatherland, Enigma and Archangel. Where else to enjoy the last days of summer than on the beautiful Bay of Naples. All along the coast, the Roman Empire’s richest citizens are relaxing in their luxurious villas. The world’s largest navy lies peacefully at anchor in Misenum. The tourists are spending their money in the seaside resorts of Baiae, Herculaneum and Pompeii. Only one man is worried. The engineer Marius Primus has just taken charge of the Aqua Augusta, the enormous aqueduct that brings fresh water to a quarter of a million people in nine towns around the Bay. Springs are failing for the first time in generations. His predecessor has disappeared. And now there is a crisis on the Augusta’s sixty-mile main line -- somewhere to the north of Pompeii, on the slopes of Mount Vesuvius. Marius -- decent, practical, incorruptible -- promises Pliny, the famous scholar who commands the navy, that he can repair the aqueduct before the reservoir runs dry. But as he heads out towards Vesuvius he is about to discover there are forces that even the world’s only superpower can’t control. Pompeii recreates in spellbinding detail one of the most famous natural disasters of all time. And by focusing on the characters of an engineer and a scientist, it offers an entirely original perspective on the Roman world.

Wir sind im mittelalterlichen China. Ein 14-jähriges Mädchen, He Pao, ist Zeuge des Makers an ihren Adoptiveltern. Versteckt unter männlicher Kleidung und entschlossen, den Mörder zu finden und zu bestrafen, macht sie sich im 12. Jahrhundert auf den Weg, allein auf den Straßen des mittelalterlichen China zu reisen. Sie wird eine Weile von Nonnen bewirtet und findet schließlich Yu Kong, der ein Anhänger des verrückten Mönchs geworden ist. He Pao, fasziniert von diesem Mönch, beschließt, seine Geheimnisse zu entdecken. Der Teenager wird erwachsen und mit ihr der Wunsch, das Geheimnis ihrer frühen Kindheit zu lüften. Vink erzählt und illustriert auf brillante Weise die Geschichte dieses komplexen, originellen und unabhängigen Charakters, der sich weigert, sich in die verschiedenen Gesellschaften zu integrieren, denen er während seiner Abenteuer begegnet ist. Die Zeichnung in Pastellfarben, sofort erkennbar, bringt mit Wärme und Exotik ein mysteriöses China hervor, das von wilden Räubern, religiösen Fanatikern, müßigen Adligen und armen Bauern bevölkert wird.

When the body of a young girl is found hanging from a tree, the only clue the police have is an airline tag around her neck. It reads 'I'm travelling alone'. In response, police investigator Holger Munch is immediately charged with assembling a special homicide unit. But to complete the team, he must track down his former partner, Mia Kr�ger - a brilliant but troubled detective - who has retreated to a solitary island with plans to kill herself. Reviewing the file, Mia finds something new - a thin line carved into the dead girl's fingernail: the number 1. She knows that this is only the beginning. To save other children from the same fate, she must find a way to cast aside her own demons and stop this murderer from becoming a serial killer.

The action in this novel begins the day after the end of 'A Storm of Swords'. The remaining northern lords war endlessly with each other and the ironmen of the isles attack the Dreadfort.

The bestselling series, a former Richard and Judy bookclub pick, returns with another chilling case. 'Gives Jo Nesbo a run for his money' Sunday Express Munch and Krüger. An unexpected pairing. A brilliant team. Winter 1996. An old man is driving home when his headlights catch an animal on the empty road up ahead. He stamps hard on the brakes. But it is not an animal at all. It is a young boy, frightened and alone, with a set of deer antlers strapped firmly to his head. Fourteen years later, a body is found in a mountain lake. Within weeks, three people have died. Each time, the killer has left a clue, inviting Special Investigations Detectives Munch and Krüger to play a deadly game - a game they cannot possibly win. Against the most dangerous and terrifying kind of serial killer. One who chooses their victims completely at random. To find the killer they must look deep within their own dark pasts, but how can you stop a murderer when you cannot begin to predict their next move?