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I hope the title of this book is not misleading. If you are expecting an entire volume of spinoffs from Lovecraft’s The Shadow Out of Time, complete with consciousness-swapping across the aeons, cone-shaped scholarly beings compiling their archives while dinosaurs roam outside their cities and some nameless doom threatens them from below, this isn’t it. I did indeed include a few stories of that sort, as such titles as Robert Guffey’s “Toward a General Theory of Yithian Psychology” and Robert M. Price’s “Crom-Ya’s Triumph” imply. (Crom-Ya, as aficionados will recall, was a Cimmerian chieftain that Lovecraft’s protagonist met when imprisoned in one of those alien bodies during his sojourn in the past.) But the focus of this book is a lot broader. In his 1933 essay “Notes on Writing Weird Fiction,” Lovecraft "The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and terrible thing in the universe. Conflict with time seems to me the most potent and fruitful theme in all human expression." Italics are his, by the way. Contributors were given that quote and told, “Go. Great Race of Yith optional.” This book is the result.

In every way this monograph should be regarded as merely a preliminary study of Campbell. Because much of his work is not widely known to the general public, I have felt the need to provide fairly detailed synopses of his major novels and tales, and this has reduced the space available for analysis. While I have chosen to study Campbell's work thematically, I am aware that many other perspectives could be employed. Although the opinions in this book are of course my own, I have also received much useful information from Stefan Dziemianowicz, Michael A. Morrison, and Steven J. Mariconda

Prisms are instruments, mirrors, metaphors, gateways humankind must pass through in order to achieve, to overcome, to realize, to become. Contained herein are nineteen transformative tales from some of speculative fiction’s most brilliant minds. So open your eyes and let the light pass through . . .

In this latest edition of the world's longest-running annual showcase of horror and dark fantasy you will find cutting-edge stories by such authors as Helen Marshall, Conrad Williams, Ramsey Campbell, Angela Slatter, Reggie Oliver and Thana Niveau, amongst many others, along with the usual Introduction: Horror in 2017 and Necrology of those who have left us.

We Are The Martians: The Legacy of Nigel Kneale is a collection of essays by genre authors, screenwriters, a film makers and critics on the work of one of the greatest writers of Speculative Fiction that the UK has ever produced. His influence on them and on the genres that he worked in, as well as the culture he drew on and influenced in turn.

Miskatonic University, in fabled Arkham Massachusetts, has long been described in the fiction of H.P. Lovecraft and his successors. Here in the library, under lock and key, are some of the world's most dangerous books, most famously the dreaded Necronomicon of the mad Arab, Abdul Alhazred. There was a notably unpleasant incident in the late 1920s, when a certain Wilbur Whateley tried to steal that particular volume, and met a hideous fate. Fortunately, that time at least, the head librarian and his colleagues were able to save the Earth from the dreadful danger of the Dunwich Horror. Publisher

This 26th edition of Best New Horror showcases some of the very best short stories and novellas published in 2014. So get ready to spread your wings and take a bite out of this latest anthology of agony. And don’t forget to tell your fellow fiends about our new series of Best New Horror reprints. Just let them know who sent you . . .