Alyssa Maxwell masterfully evokes the glamour and intrigue of the Gilded Age in her Newport Mysteries, drawing inspiration from her own family's deep roots in the historic city. Her other series transports readers to England as World War I draws to a close, exploring the dynamics of class and change. Maxwell's writing is characterized by rich historical detail and compelling mysteries that delve into the complexities of society. She crafts immersive narratives that transport readers to distinct eras and locales.
Amidst the backdrop of a wedding, a sinister plot unfolds as a killer targets the town's chief inspector. Lady Phoebe's marriage ceremony is interrupted by the looming threat of vengeance, intertwining romance with suspense. The tension escalates as the characters navigate the dangers that threaten their lives and relationships, revealing secrets and motivations that drive the narrative forward. This gripping tale blends elements of mystery and drama, keeping readers on edge as the story unfolds.
Set in August 1901 at a fundraiser for the Rhode Island Audubon Society, Emma finds herself at Vinland, a Viking-themed estate owned by her relative, Florence Vanderbilt Twombly. The event, featuring Edith Roosevelt, highlights the contrast between the Viking warrior spirit and the genteel cause of bird protection. However, the atmosphere of harmless philanthropy shifts dramatically when a guest falls mysteriously ill after consuming poisoned petit fours. Teaming up with detective Jesse Whyte, Emma embarks on a dangerous investigation to uncover the truth.
Lady Phoebe Renshaw and her lady's maid, Eva Huntford, investigate after a guest is found dead at a posh, but small gathering at the home of her sister, Julia, where the presence of outspoken French fashion designer Coco Chanel and her entourage adds both glamour and tension to the proceedings
For fans of HBO’s The Gilded Age, the glorious mansions of Newport house many mysteries—murder, theft, scandal—and no one is more adept at solving them than reporter Emma Andrews . . . 1901: Back from their honeymoon in Italy, Emma and Derrick are adapting to married life as they return to their duties at their jointly owned newspaper, the Newport Messenger. The Elms, coal baron Edward Berwind’s newly completed Bellevue Avenue estate, is newsworthy for two reasons: A modern mansion for the new century, it is one of the first homes in America to be wired for electricity with no backup power system, generated by coal from Berwind’s own mines. And their servants—with a single exception—have all gone on strike to protest their working conditions. Summarily dismissing and replacing his staff with cool and callous efficiency, Berwind throws a grand party to showcase the marvels of his new “cottage.” Emma and Derrick are invited to the fete, which culminates not only in a fabulous musicale but an unforeseen tragedy—a chambermaid is found dead in the coal tunnel. In short order, it is also discovered that a guest’s diamond necklace is missing and a laborer has disappeared. Detective Jesse Whyte entreats Emma and Derrick to help with the investigation and determine whether the murdered maid and stolen necklace are connected. As the dark deeds cast a shadow over the blazing mansion, it’s up to Emma to shine a light on the culprit . . .
During an exclusive meeting of the New York Yacht Club at Beacon Rock, which she is attending with her fiancé, reporter Emma Cross discovers a woman's body floating in the water, and she, when all signs point to murder, must sort through a who's who of Newport's elite
Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fete on the lavish grounds of Wakehurst, the Ochre Point "cottage" modeled after an English palace, owned by Anglophile James Van Alen.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In the autumnal chill of Newport, Rhode Island, at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of a mansion . . . Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan f�te on the lavish grounds of Wakehurst, the Ochre Point "cottage" modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare's plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she's drawn by the barking of Van Alen's dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400's most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . .
In the Alyssa Maxwell's sixth delightful A Lady and Lady's Maid Mystery set after World War I, a trip to Staffordshire for Lady Phoebe Renshaw and her lady's maid, Eva Huntford, leads to murder in a famed pottery works... Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary. The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead--his body crushed in a grinding pan and his design pattern book missing--his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist. At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth...
To make ends meet, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it--even to the point of committing murder... The lean times following the Great War continue to require creative solutions for England's noble class. But Lady Phoebe's proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a "vulgar enterprise." Phoebe's grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity.Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It's a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her--only to find her in the library, strangled with a silken drapery cord.The schoolchildren are promptly sent home, but the members of the Historical Society--many of whom also wandered off at times--remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow's murder--before someone else becomes history...
As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . . Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her.When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police--including Eva's beau, Constable Miles Brannock--suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder--and Eva fears her sister was with him.If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .