Exploring the intersection of the body, imagery, and technology, this work introduces a fresh perspective by integrating pragmatist somaesthetics and phenomenology with contemporary studies on bodily responses. It delves into how our physical experiences shape and are shaped by visual and technological influences, offering a nuanced understanding of these complex interactions.
The History of an Institution and Its Global Competitors
Exploring the evolution of art as an institution, this book traces its origins in Central Europe and its global spread through colonialism and diaspora. It examines the influence of class, gender, and race on artists, challenging traditional highbrow definitions of art. The concept of "nobrow" is introduced to advocate for a more inclusive and democratized understanding of art in the future.