Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy - the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.
Ken Kesey Books
September 17, 1935 – November 10, 2001
Ken Kesey achieved international renown for his novel One Flew Over the Cuckoo's Nest , a powerful exploration of institutional control and individual rebellion. Emerging as a counterculture icon in the 1960s, his life became intertwined with psychedelic exploration, profoundly influencing his literary style and themes. Kesey's narrative approach often delves into altered states of consciousness and critiques societal norms, drawing from his personal experiences within psychiatric settings and his association with the Merry Pranksters. Beyond his seminal work, his literary output included explorations of community, family conflict, and later, children's literature and experimental prose.
The magnificent second novel from the legendary author of One Flew Over the Cuckoo's Nest and Sailor Song is a wild-spirited and hugely powerful tale of an Oregon logging clan. A bitter strike is raging in a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers: Henry, the fiercely vital and overpowering patriarch; Hank, the son who has spent his life trying to live up to his father; and Viv, who fell in love with Hank's exuberant machismo but now finds it wearing thin. And then there is Leland, Henry's bookish younger son, who returns to his family on a mission of vengeance - and finds himself fulfilling it in ways he never imagined. Out of the Stamper family's rivalries and betrayals, Ken Kesey crafted a novel with the mythic impact of Greek tragedy.
Kesey is the author of "One Flew Over the Cuckoo's Nest". Featuring such characters as Buffalo Bill Cody and wrestler Frank "The Crusher" Gotch, this book is both a historical novel and a dime Western. It is set in the tiny town of Pendleton, home of the rodeo showdown.
Sailor Song
- 548 pages
- 20 hours of reading
This epic tale of the north is a vibrant moral fable for our time. Set in the near future in the fishing village of Kuinak, Alaska, a remnant outpost of the American frontier not yet completely overcome by environmental havoc and mad-dog development, Sailor Song is a wild, rollicking novel, a dark and cosmic romp. The town and its denizens—colorful refugees from the Lower Forty-Eight and DEAPs (Descendants of Early Aboriginal Peoples)—are seduced and besieged by a Hollywood crew, come to film the classic children's book The Sea Lion. The ensuing turf war escalates into a struggle for the soul of the town as the novel spins and swirls toward a harrowing climax. Writing with a spectacular range of language and style, Kesey has given us a unique and powerful novel about America.
Demon Box
- 357 pages
- 13 hours of reading
In this collection of short stories, Ken Kesey challenges public and private demons with a wrestler's brave and deceptive embrace, making it clear that the energy of madness must live on.
Joskus tekee mieli
- 411 pages
- 15 hours of reading
Českým čtenářům se již dostala do rukou kniha "Skříňka s démonem", která začíná Keseyho propuštěním z vězení, kde autor v roce 1967 strávil šest měsíců kvůli obvinění z držení marihuany. Během pobytu v kriminále vznikly „Zápisky z lochu“ s podtitulem „Nechte ty k****y běžet“, v nichž se mísí záznamy bizarních snů s ještě bizarnějšími rozhovory mezi vězni, s dopisy ženě, anekdotami a básněmi, a vznikají tak výmluvné portréty spoluvězňů i dozorců. Obraz života vězeňské komunity, "šílenějšího než v pakárně", dotvářejí pestrobarevné koláže. Základem knihy byly poznámkové bloky, které Kesey ve vězení popsal a pokreslil. Při jeho propuštění byly některé ze zápisníků zabaveny a ztratily se, mnohé se ale podařilo zachránit. Po návratu domů Kesey přetvořil náčrtky a zápisky v koláže a uspořádal z nich soubor, který se podařilo vydat až téměř po třiceti letech, kdy dal autor knize její současnou podobu. Deník je nejen uměleckým dílem literárním, ale i výtvarným, a navíc slouží jako sonda do myšlení těch Američanů, kteří se v padesátých a šedesátých letech nechtěli smířit s americkou vnitřní ani zahraniční politikou.
