This author delves into film studies, focusing on critical analysis of the image and ethical considerations. Her work examines how cinema engages with the legacies of genocide and atrocity, exploring philosophical ethics and various approaches to the cinematic image. Through reconsidering filmic and video responses to historical events, she analyzes how these artistic forms function as witnesses and process trauma. Her research also addresses the aftermaths of political violence in contemporary cinema and the ethico-political dimensions of cinematic expression.
The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms.