Explore the latest books of this year!
Bookbot

Charlotte Beyer

    Australien im Englischunterricht der Sekundarstufe II. Doris Pilkingtons "Rabbit-Proof Fence" und Philip Noyce' "Long Walk Home"
    Crime Fiction in the Age of #Metoo
    Wealth Management Unwrapped, Revised and Expanded
    Mothers Who Kill
    • 2024

      Crime Fiction in the Age of #Metoo

      • 250 pages
      • 9 hours of reading

      Exploring the intersection of crime fiction and contemporary feminist movements, this book offers a critical analysis of how the #MeToo movement influences narratives within the genre. It delves into themes of gender, power dynamics, and societal change, providing a fresh perspective on crime stories through the lens of fourth-wave feminism. The examination highlights the evolving portrayal of women and the implications of their experiences in literature, making it a relevant and thought-provoking read for enthusiasts and scholars alike.

      Crime Fiction in the Age of #Metoo
    • 2022

      This compelling and unique collection of critical and creative work assesses for the first time cultural, literary, legal and historical representations and narratives about mothers who kill and filicide. The idea of a mother killing her child to many presents the greatest taboo, and the most disturbing and distressing aspect of maternal experience. In Toni Morrison's 1987 novel Beloved, escaped slave mother Sethe addresses her daughter Beloved whom she murdered out of desperation, in order to avoid her returning to a life of slavery and sexual abuse. Sethe reflects, "I'll explain to her, even though I don't have to. Why I did it. How if I hadn't killed her she would have died and that is something I could not bear to happen to her. When I explain it she'll understand." This book goes beyond Morrison's widely known literary portrayal, in order to investigate a range of other, less known but no less challenging, examinations of maternal filicide. Have mothers who kill inevitably been portrayed as monsters in cultural representations? Or are there certain contexts that may urge us to reevaluate maternal behavior? And how might we counter the misogynist narratives surrounding maternal

      Mothers Who Kill
    • 2017