The New Negro Aesthetic
- 368 pages
- 13 hours of reading
"Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination"-- Provided by publisher
Alain LeRoy Locke was a pivotal philosopher and educator, serving as the chief interpreter of the Harlem Renaissance. His philosophy of Cultural Pluralism emphasized the uniqueness of each personality and its value in guiding human conduct. A humanist deeply concerned with aesthetics, Locke explored how these principles shape interrelationships. His nearly four decades of teaching at Howard University solidified his legacy as a profound influence on American culture and thought.





"Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination"-- Provided by publisher
A Pictorial Record of the Negro Artist and of the Negro Theme in Art
This reprint showcases a significant collection of African American art up to 1940, featuring a wide array of artists such as Juan Pareja, Edmonia Lewis, and Archibald J. Motley. It includes detailed biographies and notes, providing context and insight into the contributions of these artists. The book is richly illustrated with plates of their works, making it an essential document for understanding the evolution and impact of African American art. The facsimile format preserves the original edition's integrity, enhancing its historical value.
Focusing on the transformative role of art, the anthology features prominent voices of the Harlem Renaissance, including Countee Cullen, Langston Hughes, and Zora Neale Hurston. Alain Locke's writings emphasize self-understanding and independence, portraying the New Negro as a symbol of resilience and a departure from a painful history. This collection serves as a pivotal exploration of African American identity and culture, aiming to inspire meaningful change and redefine societal perceptions.
The book offers a comprehensive examination of African-American artists, showcasing their significant contributions to various visual mediums. Authored by a pioneering figure of the Harlem Renaissance and the first African-American Rhodes Scholar, it provides detailed descriptions of key works and artists, marking a crucial study in the representation of African-American art. This reprint preserves the original's integrity, making it a valuable resource for understanding the artistic landscape of the time.
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.