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Sidonie Gabrielle Colette

  • Colette Willy
  • Colette
Sidonie Gabrielle Colette
Die Fessel
La Maison De Claudine
Vom Glück des Umziehens
Break of Day
Chéri and The End of Chéri
My Mother's House and Sido
  • 2002

    My Mother's House and Sido

    • 248 pages
    • 9 hours of reading
    4.2(720)Add rating

    Focusing on the themes of childhood and familial bonds, the narrative explores the life of Sido, a nurturing mother in late-nineteenth-century rural France. Sido is depicted as a vibrant figure, deeply connected to her village, garden, and children, especially her youngest, Minet-Chéri. Unlike Colette's other works that delve into romantic love, this story highlights Sido's profound influence on her community and her daughter, who would become an acclaimed writer. The portrayal emphasizes the richness of maternal relationships and their lasting impact.

    My Mother's House and Sido
  • 2002

    Break of Day

    • 168 pages
    • 6 hours of reading
    3.9(490)Add rating

    Exploring themes of independence and self-reflection, the novel delves into the renunciation of love as the protagonist seeks solace in nature's beauty following a personal upheaval. Set against the backdrop of Saint-Tropez, where Colette found a new home after her second marriage, it offers a collection of profound insights into love and existence. This work stands out for its stylistic boldness and depth, reflecting Colette's own journey of self-discovery during a pivotal time in her life.

    Break of Day
  • 2001

    Colette's celebrated novels about an older courtesan and her young lover, now in a new translation and published in one volume. Colette’s Chéri (1920) and its sequel, The End of Chéri (1926), are widely considered her masterpieces. In sensuous, elegant prose, the two novels explore the evolving inner lives and the intimate relationship of an unlikely couple: Léa de Lonval, a middle-aged former courtesan, and Fred Peloux, twenty-five years her junior, known as Chéri. The two have been involved for years, and it is time for Chéri to get on with life, to make something of himself, but he, the personification of male beauty and vanity, doesn’t know how to go about it. It is time, too, for Léa to let go ofChéri and the sensual life that has been hers, and yet this is more easily resolved than done. Chéri marries, but once married he is restless and is inevitably drawn back to his mistress, as she is to him. And yet to reprise their relationship is only to realize even more the inevitability of its end. That end will come when Chéri, back from World War I, encounters a world that the war has changed through and through. Lost in his memories of time past, he is irremediably lost to the busy present. Paul Eprile’s new translation of these two celebrated novels brings out a vivid sensuality and acute intelligence that past translations have failed to capture.

    Chéri and The End of Chéri