Douglas Sirk, Aesthetic Modernism and the Culture of Modernity
- 208 pages
- 8 hours of reading
With detailed case studies of 'Final Chord' and 'All That Heaven Allows', Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films.
