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Vikram Sampath

    Vikram Sampath delves into the rich tapestry of Indian history and culture, focusing on the often-overlooked stories within music and art. His writings illuminate captivating biographies and historical events, bringing forgotten narratives to light. Sampath masterfully blends rigorous research with compelling storytelling, breathing life into the past for contemporary readers. His work offers a unique gateway into the depth and vibrancy of India's cultural heritage.

    Indian Classical Music and the Gramophone, 1900-1930
    Savarkar (Part 2): A Contested Legacy, 1924-1966
    • Decades after his death, Vinayak Damodar Savarkar continues to uniquely influence India's political scenario. An optimistic advocate of Hindu-Muslim unity in his treatise on the 1857 War of Independence, what was it that transformed him into a proponent of 'Hindutva'? A former president of the All-India Hindu Mahasabha, Savarkar was a severe critic of the Congress's appeasement politics. After Gandhi's murder, Savarkar was charged as a co-conspirator in the assassination. While he was acquitted by the court, Savarkar is still alleged to have played a role in Gandhi's assassination, a topic that is often discussed and debated.In this concluding volume of the Savarkar series, exploring a vast range of original archival documents from across India and outside it, in English and several Indian languages, historian Vikram Sampath brings to light the life and works of Vinayak Damodar Savarkar, one of the most contentious political thinkers and leaders of the twentieth century.

      Savarkar (Part 2): A Contested Legacy, 1924-1966
    • The book explores the significant influence of The Gramophone Company's early recording expeditions on Indian classical music, analyzing it through socio-cultural, historical, and musical perspectives. Vikram Sampath delves into how these recordings shaped the evolution of the genre and its reception in society, offering insights into the intersection of technology and tradition in the music landscape of India.

      Indian Classical Music and the Gramophone, 1900-1930