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Melanie Heiland

    "Man wird nicht fertig mit Rio de Janeiro". Das brasilianische Exil von Stefan Zweig und Paul Frischauer
    Anna Akhmatova. A Critical Analysis of her Poetry
    Magical Realism in Ben Okri. A Critical Reading of "Laughter Beneath the Bridge" and "What the Tapster Saw"
    Zwischen den Kontinenten. Das brasilianische Erbe der Familie Mann
    Raum und Grenze in T.C. Boyles "The Tortilla Curtain"
    Intertextuality and literary adaptation exemplified by T.S. Eliots "The Waste Land"
    • 2018

      The essay explores T.S. Eliot's assertion that while immature poets imitate, mature poets "steal" by transforming ideas from their influences into original works. It delves into the concept of artistic adoption versus theft, suggesting that true creativity involves reinterpreting and reshaping existing ideas rather than mere imitation. This analysis offers insights into the nature of poetic inspiration and the evolution of literary expression.

      Intertextuality and literary adaptation exemplified by T.S. Eliots "The Waste Land"