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Joel Coen

    Joel and Ethan Coen, known collaboratively as the Coen brothers, are celebrated American filmmakers renowned for their distinctive cinematic voice. Their work masterfully blends genres, seamlessly moving between sharp screwball comedies, atmospheric film noir, and innovative genre-bending narratives. Famous for their unified vision and

    No Country for Old Men
    Raising Arizona
    The Big Lebowski
    • The screenplay to another offbeat movie by the Academy Award-winning Coen brothers. As a result of a case of mistaken identity, Jeffrey Lebowski - alias The Dude - finds himself entangled in a kidnapping caper as a bag man - a situation that goes from bad to even worse due to the interference of his hapless bowling partners.

      The Big Lebowski
    • Raising Arizona

      • 160 pages
      • 6 hours of reading

      It's easy to see why Raising Arizona is one of the best and most beloved films that Ethan and Joel Coen have yet to create. The cultish humor, original characters, fresh cinematography, catchy soundtrack, and zany yet well-structured plot to be found in this film are all Coen brothers trademarks. Nicholas Cage plays a veteran criminal who marries a prison guard named Edwina (Holly Hunter). Because he and his wife cannot conceive, our convict-hero kidnaps, with only the most earnest intentions, one of the famous "Arizona Quintuplets." A hellacious bounty-hunting biker and two old pals who have just escaped from the pen make it very hard for the couple to raise their child properly.This is a movie—and a screenplay—marked by breathless chases, improbable scenes, and hilarious dialogue throughout.

      Raising Arizona
    • No Country for Old Men

      • 340 pages
      • 12 hours of reading
      4.3(22464)Add rating

      Texas welder Llewelyn Moss makes a dubious discovery while out hunting antelope near the banks of the Rio Grande: a dead man, a stash of heroin, and more than $2 million in cash. Moss packs out the money, knowing his actions will imperil him for the rest of his life. He's soon on the run, left to his own devices against vengeful drug dealers, a former Special Forces agent, and a psychopathic freelance killer with ice blue eyes. Shades of Dostoyevsky, Hemingway, and Faulkner resonate in McCarthy's blend of lyrical narrative, staccato dialogue, and action-packed scenes splattered with bullets and blood. McCarthy fans will revel in the author's renderings of the raw landscapes of Mexico and the Southwest and the precarious souls scattered along the border that separates the two. Many are the men here who maim in the name of drugs. "If you killed 'em all," says the local sheriff, "they'd have to build an annex onto hell."

      No Country for Old Men