Focusing on the preservation and visual representation of cadavers, this book delves into the historical and contemporary techniques used in displaying human remains. It explores the cultural and ethical implications of body display, examining how various societies have approached death and the treatment of the deceased. Through detailed analysis, it highlights the intersection of art, science, and morality in the representation of the human body after death.
Secrets from the past are never really dead. Fleeing an abusive marriage and tormented by her past, Alexandra Turner finds solace in a small coastal town on Puget Sound and a job with a local marine biologist studying orcas. After befriending a group of locals, Alex learns that she has moved to a place that has a reputation of being the "most haunted town in Washington." Such superstitions would be easy to dismiss ... if Alex wasn't already on edge. Haunted by shreds of memories of her days with her husband, Alex can't keep from looking over her shoulder. As unexplained sounds and scents accumulate and unnerving forces seem to take hold, Alex is beginning to believe that she's not escaping her ghosts, after all. In fact, she might finally be inviting them in
This text provides an approach to death, dying and bereavement, and the sociology of the body. The authors challenge existing theories that put the body at the centre of identity. They go beyond the body to highlight the persistence of self-identity even when the body itself has been disposed of or is missing. Chapters draw together a wide range of empirical data, including cross-cultural case studies and fieldwork to examine both the management of the corpse and the construction of the soul or spirit by focusing on the work of: undertakers; embalmers; coroners; clergy; clairvoyants; exorcists; and bereavement counsellors.
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In 987, when Hugh Capet took the throne of France, founding a dynasty which was to rule for over 300 years, his kingdom was weak and insignificant. But by 1100, the kingdom of France was beginning to dominate the cultural nd religious life of western Europe. In the centuries that followed, to scholars and to poets, to reforming churchmen and monks, to crusaders and the designers of churches, France was the hub of the universe. La douce France drew people like a magnet even though its kings were, until about 1200, comparatively insignificant figures. Then, thanks to the conquests and reforms of King Philip Augustus, France became a dominant force in political and economic terms as well, producing a saint-king, Louis IX, and in Philip IV, a ruler so powerful that he could dictate to popes and emperors. Spanning France's development across four centuries, Capetian France is a definitive book. This second edition has been carefully revised to take account of the very latest work, without losing the original book's popular balance between a compelling narrative and an fascinating examination of the period's main themes.