Professor Edwards delves into the intricate relationships between photography, anthropology, and history. Her work critically examines the social practices surrounding photography, its material nature, and its profound impact on historical imagination. She investigates the formation and dissemination of photographic knowledge through social networks and the market for 'ethnographic' photographs in the nineteenth century. Furthermore, her research explores the dynamic interplay between photography and historical methodology.
Exploring the evolving connection between photography and anthropology, this volume acts as a crucial resource for researchers and students. It offers insights into contemporary methodologies and encourages a deeper understanding of visual culture within anthropological studies. The book serves as both a foundational text and a reference point for courses focused on the interplay between these two fields, stimulating further research and discussion.
A Guide to Making Small Changes that Make a Big Difference
The book explores the concept of finding value and lessons in every experience, emphasizing that every situation, positive or negative, carries a hidden gift. It encourages readers to shift their perspective, fostering gratitude and resilience. Through various insights and anecdotes, the author illustrates how embracing this mindset can lead to personal growth and a deeper understanding of life's challenges.
The book presents innovative scientific insights tailored for contemporary governance, reflecting the perspectives of a leading liberal think tank. It explores how new research and ideas can inform policy decisions and address current societal challenges, making a case for a progressive approach to science in administration. The emphasis is on integrating cutting-edge science with practical governance to foster positive change.
My journey encapsulates a three year mystery that began in Edinburgh, Scotland in October 2006 in which I was led by a variety of mysterious historical symbols to learn about the life and challenges of Lady Mary Hay in Cruden Bay, Scotland, who was the 14th Countess of Errol during the years of 1711-1758. Mary Hay was the Senior Great Officer, Royal Office of Scotland and Chief of the King's Household in Scotland. She succeeded to the title in 1717 when she became Lady Hay and Baroness of Stain, 23rd Chief of the Hays (since 1171) and Mac Garaidh Mhar (a Celtic title). In 1727 she nominated John Duke of Roxburgh, to act as Her Deputy and walk in the procession for the coronation of George II. In 1745 she raised an army of Buchan men who stood for "Bonnie Prince Charlie"-Prince Charles Edward Stuart. She was close to sixty years of age at the time. At this time, Mary was a practicing Episcopalian and as this faith was persecuted by the Hanoverians she fitted out a grain store as a place of worship. This was known in Cruden Bay as `Countess Mary's Girnal'. It was burnt to the ground in 1746 by English Dragoons. She succeeded her brother, Charles Hay, and was succeeded by grandnephew Lord James Boyd Kilmarnock, the grandson of her late sister Margaret.
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.
Originally published: Oslo: SAP, c2009 under title: Lengselens bilder.
The book examines the Morte d'Arthur by analyzing Malory's role as both a redactor and translator of Arthurian legends. It delves into how he reshapes traditional narratives, highlighting the structural elements of the text and the interplay between adaptation and original sources. Through this study, readers gain insight into Malory's unique contributions to the Arthurian canon and the broader implications of his work on the interpretation of these timeless tales.
Exploring the intersection of photography and historiography, Elizabeth Edwards examines how the existence of photographs influences historical practices and methodologies. By proposing a new approach to historical thinking, the book challenges traditional concepts and encourages a redefinition of the discipline, addressing the implications of visual evidence on historical inquiry.
By examining anthropological photographs as a form of history, the book delves into their multifaceted roles in fieldwork and exhibitions. It challenges the notion that photographs create problematic histories due to their ambiguity, arguing instead that their raw quality can reveal new insights. Through various case studies, the author highlights how these images can enrich our understanding of cultural contexts and historical narratives, ultimately showcasing their potential to provide fresh perspectives on anthropological research.
The memoir offers a poignant look into the life of a woman who captivated the nation while campaigning for her husband, John Edwards, and faced profound personal challenges, including her battle with advanced breast cancer and the tragic loss of her son, Wade. Through her narrative, she reflects on the support she received from various communities during both her struggles and triumphs, highlighting themes of resilience, hope, and the power of shared experiences in overcoming adversity.