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Philipp Freund

    Fall Of The British Empire. Eine Verkettung unglücklicher Umstände oder theoretisch erklärbar?
    Die Rationalistische und die Sozialpsychologische Wahlentscheidungstheorie
    Gibt es in Deutschland noch Volksparteien im traditionellen Sinn?
    Opportunities and Risks of the Proposed Referendum on United Kingdom's Membership in the EU (BREXIT)
    Money and Jane Austen. How "Pride and Prejudice" Generates an Access to Contemplating Marriage Socioeconomically
    An Inappropriate Comparison: The Coup d'état and Ken Loachs Contribution to the 9/11 Film by Alain Brigand
    • 2018

      Exploring the interplay of inheritance, money, and love, this seminar paper examines the socioeconomic themes in Jane Austen's works, particularly in Pride and Prejudice. It challenges the notion of Austen's settings as merely quaint, likening them to the opulence of Downton Abbey while emphasizing the underlying financial dynamics that influence marriage and societal expectations. By analyzing these economic interpretations, the paper reveals how they reflect both the societal power structures of Austen's time and the author's perspective on these issues.

      Money and Jane Austen. How "Pride and Prejudice" Generates an Access to Contemplating Marriage Socioeconomically
    • 2017

      The paper critically analyzes Ken Loach's episode from the "9 11 01 September 11" project, focusing on its portrayal of the New York terror attacks and the implications of audience interpretation. Utilizing Reception Theory and Audience Response Theory, it explores how media messages are polysemic and shaped by cultural contexts. The analysis aims to assess Loach's directorial choices, arguing that his depiction of the event may be deemed inappropriate. The research emphasizes the interaction between cultural signs in film and viewer interpretation.

      An Inappropriate Comparison: The Coup d'état and Ken Loachs Contribution to the 9/11 Film by Alain Brigand
    • 2016