Greg Walker Book order

Imagining Spectatorship is a highly innovative study in the emerging area of early spectatorship, focusing on the spectators' experience to offer new perspectives on early drama.

In The Sublime Perversion of Capital Gavin Walker examines the Japanese debate about capitalism between the 1920s and 1950s, using it as a prehistory to consider current problems of uneven economic development and contemporary topics in Marxist theory and historiography.

Exploring the intricate relationship between drama and politics during Henry VIII's reign, this study delves into how theatrical works influenced and reflected the political landscape of the time. It examines key plays and performances, revealing their impact on public perception and political discourse, while also highlighting the role of playwrights and their connections to the court. Through this analysis, the book sheds light on the cultural dynamics that shaped both drama and governance in Tudor England.

Exploring the intersection of literature and history, this work examines the influence of tyrannical governance on early English Renaissance writers from 1528 to 1547. It highlights how political oppression shaped their creative output, prompting poets, playwrights, and prose authors to resist and adapt to their circumstances. The era witnessed the decline of late-medieval literary forms and the emergence of new styles that would define subsequent centuries. Ultimately, the tyranny of Henry VIII paradoxically catalyzed the evolution of English literature.

The book offers a fresh perspective on the interplay between politics and drama during a transformative era in English history, from Henry VIII's reign to Elizabeth I's. Greg Walker examines political drama in England and Scotland, highlighting the intricate connections between politics, court culture, and the processes of dramatic creation, performance, and publication. This interdisciplinary work appeals to both Tudor historians and those studying medieval and Renaissance drama, providing valuable insights into the cultural dynamics of the period.

The book offers an in-depth analysis of John Skelton's sharp satire targeting Cardinal Wolsey, exploring the poet's use of wit and humor to critique the political landscape of his time. It delves into the historical context, literary techniques, and thematic elements of Skelton's work, shedding light on the interplay between poetry and power. The examination highlights how Skelton's unique voice and perspective contributed to the socio-political discourse of the era.