Exploring the book of Revelation as a love letter to the church, this work addresses common misconceptions and fears surrounding its messages. It draws parallels between the challenges faced by early Jews in Jesus' time and contemporary misunderstandings of Revelation, aiming to clarify its true intent and encourage readers to embrace its teachings.
Jim Richards Books
Jim Richards developed an early fascination with gold and diamonds, which led him to significant mineral discoveries globally. Following his military service and geological studies, he emerged as a leading executive in the industry. His contributions include identifying major deposits that profoundly impacted economies. Currently, he serves as the executive chairman of an Australian publicly listed mining corporation.





Constitutes the author's argument for and appreciation of the virtues of the built environment and the architectural aesthetic of suburbia.
Gold Rush
- 364 pages
- 13 hours of reading
Gold Rush is a blood-and-guts treasure hunt - the ultimate adventure story.
Who Do You Think You Are?: James: living faith and serving God
- 200 pages
- 7 hours of reading
Exploring the profound questions of identity and faith, the book delves into how our beliefs about Jesus shape our understanding of ourselves. With an engaging and humorous narrative, James Richards reflects on God's unconditional love and its transformative power. He emphasizes serving God free from the burden of strict rules, making faith accessible even in challenging times. Richards, an Animal Science graduate, shares insights from his life in Northern California, where he enjoys gardening and family activities, enriching the personal touch of his writing.
High Street
- 100 pages
- 4 hours of reading
First published in 1938, this classic book introduces the British high street, pairing the timeless illustrations of Eric Ravilious with an engaging text by architectural historian J.M. Richards. This beautiful facsimile edition features Ravilious's illustrations in exquisite colour and includes an essay by V&A; curator Gill Saunders.