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Sarah Kay

    January 1, 1944

    Sarah Kay is an American poet, renowned for her captivating spoken word performances. As the founder and co-director of Project V.O.I.C.E., she champions spoken word as a powerful tool for inspiration and connection. Her work delves into themes of identity, family, and human relationships with a distinctive blend of vulnerability and strength. Kay's approach weaves personal narrative with universal truths, creating a resonant and engaging experience for her audience.

    Sarah Kay
    No Matter the Wreckage
    A Little Daylight Left
    Animal skins and the reading self in medieval Latin and French bestiaries
    The Blues, Mary
    The Type
    All Our Wild Wonder
    • 2025

      A Little Daylight Left

      Poems

      • 160 pages
      • 6 hours of reading

      This collection explores the complexities of human experience, blending vulnerability with curiosity and compassion. Through her celebrated spoken word style, Sarah Kay delves into both the beautiful and challenging aspects of life, inviting readers to reflect on their own journeys and emotions.

      A Little Daylight Left
    • 2018

      All Our Wild Wonder

      • 48 pages
      • 2 hours of reading
      4.4(389)Add rating

      From renowned poet Sarah Kay, a single volume poem perfect for teachers and mentors. All Our Wild Wonder is a vibrant tribute to extraordinary educators and a celebration of learning. The perfect gift for the mentors in our lives, this charming, illustrated poem reminds us of the beauty in, and importance of, cultivating curiosity, creativity, and confidence in others.

      All Our Wild Wonder
    • 2017

      Sarah Kay s interests in this book are, first, to examine how medieval bestiaries depict and challenge the boundary between humans and other animals; and second, to register the effects on readers of bestiaries by the simple fact that parchment, the writing support of virtually all medieval texts, is a refined form of animal skin. Surveying the most important works created from the ninth through the thirteenth centuries, Kay connects nature to behavior to Christian doctrine or moral teaching across a range of texts. As Kay shows, medieval thought (like today) was fraught with competing theories about human exceptionalism within creation. Given that medieval bestiaries involve the inscription of texts about and images of animals onto animal hides, these texts, she argues, invite readers to reflect on the inherent fragility of bodies, both human and animal, and the difficulty of distinguishing between skin as a site of mere inscription and skin as a containing envelope for sentient life. It has been more than fifty years since the last major consideration of medieval Latin and French bestiaries was published. Kay brings us up to date in the archive, and contributes to current discussions among animal studies theorists, manuscript studies scholars, historians of the book, and medievalists of many stripes."

      Animal skins and the reading self in medieval Latin and French bestiaries
    • 2016

      The Type

      • 48 pages
      • 2 hours of reading
      4.3(960)Add rating

      Sarah Kay's powerful spoken word poetry performances have gone viral, with more than 10 million online views and thousands more in global live audiences. In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices." Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.

      The Type
    • 2016

      The Blues, Mary

      • 98 pages
      • 4 hours of reading

      The story follows a disillusioned Northern Irish journalist in New York, exploring his reflections on daily life, a lost relationship with Mary, and an assignment involving a rock'n'roll band. As he navigates these experiences, he uncovers the interconnectedness of creation, craft, and audience, ultimately seeking clarity on his true desires and identity.

      The Blues, Mary
    • 2014

      No Matter the Wreckage

      • 100 pages
      • 4 hours of reading
      4.2(33)Add rating

      Following the success of her breakout poem, "B," Sarah Kay releases her debut collection of poetry featuring work from the first decade of her career. No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.

      No Matter the Wreckage
    • 2012

      The Secret Life of a Submissive

      • 279 pages
      • 10 hours of reading
      3.8(273)Add rating

      THE SUNDAY TIMES BESTSELLER Sarah K has a secret. By day she's a writer and level-headed single mother; by night she's a submissive, living a real-life Fifty Shades of Grey that is thrilling beyond her wildest dreams. But this is no fantasy: Sarah's story is all true...

      The Secret Life of a Submissive
    • 2006

      Focusing on the evolution of French literature, the book offers a personal and selective account of key writers and movements throughout history. It presents literary developments as engaging stories with varied pacing and focus, allowing readers to appreciate both the overarching historical changes and the nuances of individual works. Written in an accessible style, it caters to both students and general readers, making complex literary concepts approachable and enjoyable.

      A Short History of French Literature
    • 2003

      Focusing on the first-person perspective of medieval troubadours from southern France, this study explores the intricate connections between their poetic expressions and the societal and linguistic contexts of their time. It delves into how these artists used personal narrative to reflect and influence the culture around them, offering insights into the interplay between language, identity, and social dynamics in the medieval period.

      Subjectivity in Troubadour Poetry