Presents an analysis of the career of Ana Mendieta, a Cuban-American feminist artist who came to prominence in the late 70s and early 80s, in terms of gender and performance theory. This work is useful for those involved with the production, criticism, theory, and history of contemporary art.
Rather than questioningwhether there is-or should be-contemporary art history, Jane Blocker arguesthat we should be asking how. Setting the idea of temporality decisively in therealm of art, Becoming Past is crucial for artists, art historians,curators, and scholars interested in the role of history in the practice ofart.
Exploring the concept of witnessing, this book delves into its significance within contemporary art and political discourse. It examines how acts of witnessing can shape our understanding of events and experiences, influencing both artistic expression and societal engagement. Through various case studies and theoretical frameworks, the narrative reveals the transformative power of witnessing in fostering empathy, accountability, and social change, making it a crucial element in the interplay between art and politics today.