Virginia Woolf stands as a towering figure of twentieth-century modernism, celebrated as an English novelist and essayist. A pivotal member of London's interwar literary scene and the Bloomsbury Group, her work profoundly explores the depths of human consciousness. Woolf masterfully employed the stream-of-consciousness technique to delve into the intricate workings of the mind, examining themes of time, memory, and societal constraints with unparalleled psychological insight. Her distinctive narrative style and innovative approach reshaped the landscape of modern fiction.
First published in 1813, this is the story of the Bennets, their five daughters and the men who come to stay in the neighbourhood. At the centre of the story are Elizabeth Bennet and Fitzwilliam Darcy, whose marriage continues the moral values and class distinctions Austen most advocated.
The penultimate volume of Woolf's diaries details the mature period of The Years and moments of personal sadness brought by the deaths of Lytton Strachey, Dora Carrington, and Roger Fry. "A book of extraordinary vitality, wit, and beauty" (New York Times Book Review). Edited by Anne Olivier Bell, assisted by Andrew McNeillie; Index.
Virginia Woolf was fifty-four on January 25, 1936, some three weeks after this final volume of her diary opens. Its last page was written four days before she drowned herself on March 28, 1941. Edited by Anne Olivier Bell, assisted by Andrew McNeillie; Index; maps.
These years were dominated by one woman and one book. The woman was Ethel Smyth; the book was The Waves. This volume's "unerringly human and confessional tone makes Woolf, at last, a real person" (San Francisco Chronicle). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.
The penultimate volume of Woolf's letters, when the author was between the ages of 50 and 53, covers the composition of the Years and the death of Lytton Strachey and Roger Fry. "Her wit flashes, often unexpectedly, in letters of almost every kind" (New Yorker). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index.
Virginia Woolf turned to her diary as to an intimate friend, to whom she could
freely and spontaneously confide her thoughts on public events or the joys and
trials of domestic life. Between 1st January 1915 and her death in 1941 she
regularly recorded her thoughts with unfailing grace, courage, honesty and
wit.
Virginia Woolf was fifty-four on January 25, 1936, some three weeks after this final volume of her diary opens. Its last page was written four days before she drowned herself on March 28, 1941.
The delicate artistry and lyrical prose of Woolf's novels have established her as a writer of sensitivity and profound talent.Virginia Woolf displays genuine humanity and concern for the experiences that enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party and her thoughts on that one day, and the interior monologues of others with interwoven lives reveal the characters of the central protagonists.To the Lighthouse is the most autobiographical of Virginia Woolf's novels. Based on her early experiences, it touches on childhood and children's perceptions and desires. It is at its most trenchant when exploring adult relationships and the changing class-structure in the period spanning the Great War.Orlando, 'the longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West.'I am writing to a rhythm and not to a plot', said Woolf of The Waves. Regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Other titles included in this book Jacob's Room, A Room of One's Own, Three Guineas and Between the Acts.
EDITED BY JOANNE TRAUTMANN BANKS, WITH A PREFACE BY HERMIONE LEEThe finest and
most enjoyable of Virginia Woolf's letters are brought together in a single
volume.