Virginia Woolf Books

Gabi has selected a superb range of poetry, prose and essays in this anthology. She offers an introductory overview which gives context to the selected contributions from women writing about the rise of the New Woman, and/or expressing their hopes for freedom and autonomy during the early part of the twentieth century.

The penultimate volume of Woolf's diaries details the mature period of The Years and moments of personal sadness brought by the deaths of Lytton Strachey, Dora Carrington, and Roger Fry. "A book of extraordinary vitality, wit, and beauty" (New York Times Book Review). Edited by Anne Olivier Bell, assisted by Andrew McNeillie; Index.

Virginia Woolf was fifty-four on January 25, 1936, some three weeks after this final volume of her diary opens. Its last page was written four days before she drowned herself on March 28, 1941. Edited by Anne Olivier Bell, assisted by Andrew McNeillie; Index; maps.

These years were dominated by one woman and one book. The woman was Ethel Smyth; the book was The Waves. This volume's "unerringly human and confessional tone makes Woolf, at last, a real person" (San Francisco Chronicle). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.

The penultimate volume of Woolf's letters, when the author was between the ages of 50 and 53, covers the composition of the Years and the death of Lytton Strachey and Roger Fry. "Her wit flashes, often unexpectedly, in letters of almost every kind" (New Yorker). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index.

Exploring the vitality of poetry, Virginia Woolf addresses a young poet's inquiry about modern verse with wit and compassion. She reflects on the enduring legacy of great poets while humorously critiquing youthful naivety in writing. Her advice emphasizes patience and maturity in the craft, famously urging to avoid publication before the age of thirty. This letter not only showcases Woolf's insights on poetry but also captures the struggles and aspirations of aspiring writers, making it a timeless piece for anyone passionate about literature.

Virginia Woolf turned to her diary as to an intimate friend, to whom she could freely and spontaneously confide her thoughts on public events or the joys and trials of domestic life. Between 1st January 1915 and her death in 1941 she regularly recorded her thoughts with unfailing grace, courage, honesty and wit.

Virginia Woolf was fifty-four on January 25, 1936, some three weeks after this final volume of her diary opens. Its last page was written four days before she drowned herself on March 28, 1941.

First published under title: The question of things happening : the letters of Virginia Woolf, vol. II: 1912-1922.

Contains: A Room of One's Own To the Lighthouse Between the Acts Three Guineas Mrs Dalloway Jacob's Room The Waves The Years Orlando Mrs Dalloway, the society hostess Clarissa, is giving a party and her thoughts on that one day, and the interior monologues of others with interwoven lives reveal the characters of the central protagonists. To the Lighthouse is the most autobiographical of Virginia Woolf's novels. Based on her early experiences, it touches on childhood and children's perceptions and desires. It is at its most trenchant when exploring adult relationships and the changing class- structure in the period spanning the Great War. Virginia Woolf's Orlando, 'the longest and most charming love letter in literature,' playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. 'I am writing to a rhythm and not to a plot', said Woolf of The Waves. Regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. In these, as in A Room of One's Own, Between the Acts, Three Guineas,The Years and Jacob's Room, Virginia Woolf displays her genuine humanity and concern for the experiences that enrich and stultify existence. Her delicate artistry and lyrical prose have established her as a writer of sensitivity and profound talent.

EDITED BY JOANNE TRAUTMANN BANKS, WITH A PREFACE BY HERMIONE LEEThe finest and most enjoyable of Virginia Woolf's letters are brought together in a single volume.

A Passionate Apprentice comprises the first years of Virginia Woolf's Journal - from 1879 to 1909. Beginning in early January, when Woolf was almost fifteen, the pages open at a time when she was slowly recovering from a period of madness following her mother's death in May 1895. Between this January and the autumn of 1904, Woolf would suffer the deaths of her half-sister and of her father, and survive a summer of madness and suicidal depression. Behind the loss and confusion, however, and always near the surface of her writing is a constructive force at work - a powerful impulse towards health. It was an urge, through writing, to bring order and continuity out of chaos. Putting things into words and giving them deliberate expression had the effect of restoring reality to much that might otherwise have remained insubstantial. This early chronicle represents the beginning of the future Virginia Woolf's apprenticeship as a novelist. These pages show that rare instance when a writer of great importance leaves behind not only the actual documents of an apprenticeship, but also a biographical record of that momentous period as well. In Woolf's words, 'Here is a volume of fairly acute life (the first really lived year of my life).'

Adeline Virginia Woolf was born in 1882 and was to become a founder of modernist writing. Her background is filled with elements of tragedy that she somehow overcame to become a revered writer. Her mother died when she was 13, her half sister Stella two years later and with it her first of several nervous breakdowns. She began writing professionally at age 20 but her father’s death two years later brought a complete mental collapse and she was briefly institutionalised. Three of her half brothers had sexually abused her so further darkness was added to her life. But out of this came great innovations in writing; she was a pioneer of “stream of consciousness”. Whilst the dark periods continued to interrupt her emotional state her rate of work never ceased. Until on 28 March 1941, Woolf put on her overcoat, filled its pockets with stones, and walked into the River Ouse and drowned herself leaving behind a note which read in part “Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do”.

Virginia Woolf's haunting writing, her succinct insights into feminist, artistic, historical, political issues, and her revolutionary experiments with points of view and stream-of-consciousness altered the course of literature. Here is a collection of twenty-nine of Virginia Woolf's essays. Widely considered one of the finest essayists of the 20th Century, she is also considered to be one of the greatest essay writers in the English language. Included here are all of her finest essays.

1920. The war is over, and Virginia Woolf is meeting friends old and new, from Maynard Keynes to Vita Sackville-West. She is reading and reviewing voraciously, and the Hogarth Press is thriving. Jacob’s Room was published in 1922, and Woolf began work on what was to become Mrs Dalloway. This was a time of creative highs and lows, as well as a growing confidence as Woolf developed her distinctive literary voice.

New editions of the complete diaries of Virginia Woolf, with introductions by a stellar line-up of contemporary novelists

New editions of the complete diaries of Virginia Woolf, with introductions by a stellar line-up of contemporary novelists

"This volume of Virginia Woolf's diary has a slower pace: she is finishing The Waves and wrestling with the shape of her next novel (The Years). These years are marred by the death of many of the people in her circle, including her close friend Lytton Strachey. Woolf also reflects on the political situation in Britain, and the menacing rise of fascism abroad. The diary testifies to the sense of external threat, as well as the tension between her social and her writing life, but as she and Leonard embark on a series of foreign trips she also revels in the discovery of new places and the profound contentment of her marriage."--

Here she turns her brilliant eye on Lord Chesterfield's letters, the novels of George Gissing, the poetry of Donne: we meet Dr Burney and Beau Brummell, Christina Rossetti, Geraldine Jewsbury, Jane Carlyle, Mary Wollstonecraft and many others. schovat popis

This acclaimed novel marked the debut of one of the 20th century's most important writers. Woolf won instant, enduring success with this captivating exploration of a young woman's growing self-awareness. Less experimental than Woolf's later books, but highly representative of her style, it offers an excellent introduction to her work.

The linking theme of these essays is modernity, for Woolf was writing in a world radically separated from the old certainties by the catastrophe of World War I. Here she provides some responses to what she called "the crowded dance of modern life".

The last volume of Virginia Woolf's "Collected Letters" runs from 1936, when she was finishing "The Waves", to 1941, when she drowned herself. But there is little or no shadow of impending tragedy over her sparkling correspondence with Vanessa, Vita, Ethel Smyth and her many other friends.

Forty-eight essays from the literary and biographical writings.

The book features sixty-nine exquisite portraits by Julia Margaret Cameron, a pioneering figure in photography known for her artistic approach to portraiture. Accompanying the images are insightful appreciations from notable figures Virginia Woolf and Roger Fry, offering context and depth to Cameron's work. This collection highlights both the technical mastery and the emotional resonance of Cameron's photography, celebrating her significant contribution to the art form.

During the period in which these essays were written, Woolf published Night and Day and Jacob's Room, contributed widely to British and American periodicals, and progressed from straight reviewing to more extended critical essays. "Excellently edited, the essays reconfirm [Woolf's] major importance as a twentieth-century writer" (Library Journal). Edited and with an Introduction by Andrew McNeillie; Index.

The first and collection of Virginia Woolf's most inspirational quotes. 'No need to hurry. No need to sparkle. No need to be anybody but oneself.' Over 100 words of wisdom from the inimitable Virginia Woolf on love, literature, feminism, food, work, ageing, authenticity, nature, truth, happiness and everything in between, carefully selected and curated from Woolf's timeless novels, essays and speeches. A celebration of one of the world's best loved writers and a true feminist icon, in a beautifully packaged, small-format gift book.

Published years after her death, Moments of Being is Virginia Woolf's only autobiographical writing, considered by many to be her most important book. A collection of five memoir pieces written for different audiences spanning almost four decades, Moments of Being reveals the remarkable unity of Virginia Woolf's art, thought, and sensibility. "Reminiscences," written during her apprenticeship period, exposes the childhood shared by Woolf and her sister, Vanessa, while "A sketch of the Past" illuminates the relationship with her father, Leslie Stephens, who played a crucial role in her development as an individual a writer. Of the final three pieces, composed for the Memoir Club, which required absolute candor of its members, two show Woolf at the threshold of artistic maturity and one shows a confident writer poking fun at her own foibles.

The unfinished novel-essay portion of 'The Years'. In late 1932 Woolf wrote six essays and their accompanying fictional "extracts" for 'The Pargiters', but ultimately abandoned the novel-essay concept. The fiction elements were incorporated into the "1880" section of 'The Years', and the essay elements were used for 'Three Guineas'. Corrected entry for ISBN 0156713802.

This first volume of Virginia Woolf's collected letters covers the formative period from childhood until her marriage at the age of 30, recounting her family life, the development of her style, her intimate experiences and her early, devastating mental breakdowns.

These years were dominated by one woman and one book. The woman was Ethel Smyth; the book was The Waves.

This selection brings together thirty of Woolf's best essays across a wide range of subjects including writing and reading, the role and reputation of women writers, the art of biography, and the London scene. They are enchanting in their own right, and indispensable to an understanding of this great writer.

Three Guineas is written as a series of letters in which Virginia Woolf ponders the efficacy of donating to various causes to prevent war. In reflecting on her situation as the "daughter of an educated man" in 1930s England, Woolf challenges liberal orthodoxies and marshals vast research to make discomforting and still-challenging arguments about the relationship between gender and violence, and about the pieties of those who fail to see their complicity in war-making. This pacifist-feminist essay is a classic whose message resonates loudly in our contemporary global situation.Annotated and with an introduction by Jane Marcus

During the period in which these essays were written, Woolf published Night and Day and Jacob's Room, contributed widely to British and American periodicals, and progressed from straight reviewing to more extended critical essays. "Excellently edited, the essays reconfirm [Woolf's] major importance as a twentieth-century writer" (Library Journal). Edited and with an Introduction by Andrew McNeillie; Index.

Vintage Feminism: classic feminist texts in short formWITH AN INTRODUCTION BY JEANETTE WINTERSON`What conditions are necessary for the creation of works of art?' Security, confidence, independence, a degree of prosperity - a room of one's own.

This story grew out of a lecture that Virginia Woolf had been invited to give at Girton College, Cambridge in 1928. It ranges over Jane Austen and Charlotte Bronte, the silent fate of Shakespeare's gifted and imaginary sister, and over the effects of poverty and chastity on female creativity.

"On a June morning in 1923, Clarissa Dalloway is preparing for a party she is giving that evening. As she walks through London, her thoughts are of the past and her choice of husband. At the same time, and also in London, Septimus Warren Smith has shell shock. At the party that evening, their stories come together"--Back cover

HarperCollins is proud to present its incredible range of best-loved, essential classics.

Virginia Woolf's only autobiographical writing is to be found in this collection of five unpublished pieces. Readers will be struck by the extent to which she drew on these early experiences for her novels, as she tells how she exorcised the obsessive presence of her mother by writing To the Lighthouse.

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WITH INTRODUCTIONS BY JEANETTE WINTERSON AND GILLIAN BEER The Waves is an astonishingly beautiful and poetic novel. It begins with six children playing in a garden by the sea and follows their lives as they grow up and experience friendship, love and grief at the death of their beloved friend Percival. Regarded by many as her greatest work, The Waves is also seen as Virginia Woolf's response to the loss of her brother Thoby, who died when he was twenty-six. The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.

An invaluable guide to the art and mind of Virginia Woolf, "A Writer's Diary" was drawn by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing and those that are clearly writing exercises, accounts of people and scenes relevant to the raw material of her work, and finally, comments on books she was reading. The first entry is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world - the anguish, the triumph, the creative vision - of one of the great writers of our century.

This volume combines for the first time in paperback two books by Virginia Woolf which are among the greatest contributions to feminist literature this century. Together they form a brilliant attack on Patriarchy and sexual inequality. A ROOM OF ONE'S OWN

This box is filled with stories about the warming embrace of summer, in all its various forms. Four short stories written by some of the most beloved authors of all time.

A collection of essays dealing with a variety of subjects including modern writing, feminism and education. In Women and Fiction Virginia Woolf considers the reasons why so many educated women began writing novels in the 18th century. In another she discusses the lack of education that women received and the narrowness of conventional education. Also included are some of the book reviews that Virginia Woolf wrote for The Times Literary Supplement.

Virginia Woolf’s collection of writings on visual arts offer a whole new perspective on the revolutionary author. Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury Group circle, there is no accessible edition or selection of essays dedicated to her writings on art. This newest edition in David Zwirner Books’s ekphrasis series collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures” (1925), and “Pictures and Portraits” (1920). These formally inventive texts reveal the centrality of the visual arts to Woolf’s writing and vision. They show her engaging with contemporary debates about modern art and are innovative in their treatment of ideas about color and form, including in response to the work of her sister, the painter Vanessa Bell, who designed many of her book cover jackets. In these essays and reviews, Woolf illuminates the complex and interdependent relationship between the artist and society, and reveals her own shifting perspectives during decades of social and political change. She also provides sharp and astute commentary on specific works of art and on the relationship between art and writing. An introduction by Claudia Tobin situates the essays within their cultural contexts.

Six short stories and / or essays, extracted from The Crowded Dance of Modern Life (1993) and Selected Short Stories (1993).

First delivered as a speech to schoolgirls in Kent in 1926, this enchanting short essay by the towering Modernist writer Virginia Woolf celebrates the importance of the written word.

These critical essays focus on the writings of Virginia Woolf and include feminist psychological approaches to her work.

People everywhere have found themselves faced with a global pandemic, during which we have learned to cope with sickness and all that accompanies it: isolation, immunity, loss of control, and recovery. Yet while no longer taboo, illness remains an unpopular theme in literature. In her essay, On Being Ill Virginia Woolf asks whether illness should not receive more literary attention, taking its place alongside the recurring themes of "love, battle and jealousy". The subtle complexities of Woolf's essay will no doubt continue to be resonant for a new generation of readers today. In this collaborative volume, authors, translators and illustrators have come together from Great Britain, Ireland, the United States and the Netherlands to represent past, present and future thinking about illness. Noteworthy contributions to this edition are Deryn Rees-Jones' preface to Woolf's essay from 1926 and the introduction to Audre Lorde's The Cancer Journals of 1980. Against these, the voices of contemporary authors resonate as they contemplate the interactions between sickness and literature. Readers are able to begin the book at the end, or might happily start in the middle, as every contribution is a unique, personal piece which offers poignant observations of the world of illness from within. Writing, as well as reading, about illness, is a form of love.

Essential to Virginia Woolf's development as a novelist, these short stories are among the most interesting and accomplished fictions she wrote.

Seven Essays: 1) Professions for Women 2) The Feminine Note in Fiction 3) Women Novelists 4) The Intellectual Status of Women 5) Two Women 6) Memories of a Working Women's Guild 7) Ellen Terry

Stream of consciousness novel has events taking place in a single day, as Clarissa prepares for a party she is giving. An adaptation of a novel first published in 1925. Suitable for adult literacy learners of English as a second language.

Virginia Woolf completed Melymbrosia in 1912 when she was thirty years old. The story concerned the emotional and sexual awakening of a young Englishwoman traveling abroad, and bristled with social commentary on issues as varied as homosexuality, the suffrage movement, and colonialism. She was warned by colleagues, however, that publishing an outspoken indictment of Britain could prove disastrous to her fledgling career as a novelist. Moreover, the critical offensive from men would be especially harsh towards a woman author. Woolf thus revised the novel extensively, omitting much of the political candor until, in 1915, the quieter book was published under the title The Voyage Out. The original Melymbrosia offers a rare look into the formative mind of the modernist master who revolutionized twentieth century literature. Here, one sees the young Virginia Woolf learning her craft.Like James Joyce’s Stephen Hero, the original treatment of A Portrait of the Artist as a Young Man, or Ralph Ellison’s posthumously published Juneteenth, Melymbrosia is a "lost classic" that owes its existence to the research of a devoted scholar, in this instance Louise DeSalvo, who spent seven years uncovering the original novel from Woolf’s papers in the archives of the New York Public Library.

First published in 1923 but failing to gain the same fame as her groundbreaking collection Monday or Tuesday, Woolf’s short story In the Orchard is perhaps her most experimental, painting the same picture in three very different ways.

Why should one half be free to live, while the other is doomed to watch silently from the sidelines? In this visionary collection, Virginia Woolf leads us on a transformative journey through the liberating powers of the mind. From an exploration of why women were barred from writing and under what conditions they might break free, to the solace derived from haunting London's streets, these essays and stories present Woolf at her most impassioned, rendering the pursuit of liberty one of life's most poetic adventures. Selected from the books A Room of One's Own, The Waves and Street Haunting and Other Essays by Virginia Woolf VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world’s greatest writers on the experiences that make us human Also in the Vintage Minis series: Love by Jeanette Winterson Home by Salman Rushdie Language by Xiaolu Guo Race by Toni Morrison

Featuring a selection of twenty-nine essays, this collection showcases Virginia Woolf's lighter and more accessible writing style compared to her fiction. The essays explore various topics, including novelists and women's issues, revealing Woolf's insightful observations and unique perspectives. Some pieces are published for the first time, while others have appeared in notable literary publications. Accompanied by an editorial note from Leonard Woolf, the essays reflect her well-rounded intellect and captivating insights, making them both informative and enjoyable.

The London Scene is a beautifully illustrated, gift-book-sized hardback that marks the launch of the Signature Collection, a series of neglected or forgotten works by major authors. Next in line are pieces by EM Forster, Edgar Allan Poe and Jerome K Jerome, which are to be published in the spring. --Observer

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Contains excerpts from the twentieth-century feminist author's novels, letters, and diaries, with descriptive accounts and criticism by her family, friends, and associates.

The second volume covers a crucial period in Woolf's development as a writer. "Her sensibility, her sensitiveness, her humor, her drama... above all her catalytic gifts as a writer seem almost too much for one remarkable woman." Christian Science Monitor

Modelled on her friend Vita Sackville-West's personality, Virginia Woolf tells the story of Orlando, who chooses her own sexual identity as she lives through 3 centuries as both a man and a woman.

FOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf?

This story of Elizabeth Barrett Browning's cocker spaniel, Flush, enchants right from the opening pages. Although Flush has adventures of his own with bullying dogs, horrid maids, and robbers, he also provides the reader with a glimpse into Browning's life. Introduction by Trekkie Ritchie.

Übersetzung von Harald Raykowski Der Band enthält sechs Erzählungen von Virginia Woolf (1882 - 1941), einer der ganz großen Gestalten am Beginn der modernen Literatur, der Erfinderin des „inneren Monologs“, der Meisterin mehrschichtigen Erzählens: Kew Gardens - Kew Gardens An Unwritten Novel - Ein ungeschriebener Roman Mrs Dalloway in Bond Street - Mrs Dalloway in der Bond Street The Shooting Party - Die Jagdgesellschaft Lappin and Lappinova - Lappin und Lappinova The Mark on the Wall - Das Mal an der Wand

Written between 1906 and 1941 (shortly before her death), this complete collection of Woolf’s shorter fiction offers invaluable insight into her development as a writer, and serves as a fascinating introduction to her novels.

Ten unabridged short stories by twentieth-century authors of various nationalities, including Hemingway, Joyce, Naipaul, Dahl, Greene, and Lessing.

Virginia Woolf ist – neben James Joyce und Katherine Mansfield – die eigentliche Begründerin und erste Vertreterin der Moderne in der Kurzgeschichte Englands. Die hier versammelten Geschichten stammen aus dem Umkreis ihres Romans »Mrs Dalloway« und waren zum Teil ursprünglich als eigene Romankapitel gedacht oder bilden eine Art Epilog dazu. Mrs Dalloway in Bond Street - The Man Who Loved His Kind - The Introduction - Ancestors - Together and Apart - The New Dress - A Summing Up Texte in der Originalsprache, mit Übersetzungen schwieriger Wörter am Fuß jeder Seite, Nachwort und Literaturhinweisen.

This novel is an extraordinarily poignant evocation of a lost happiness that lives on in the memory. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever. In this, her most autobiographical novel, Virginia Woolf captures the intensity of childhood longing and delight, and the shifting complexity of adult relationships. From an acute awareness of transcience, she creates an enduring work of art.

Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith.

The stories found in A Haunted House reflect Virginia Woolf's experimental writing style and act as an enlightening introduction to the longer fiction of this pioneer novelist. Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

The fifteen stories in this volume include the only collection of short fiction Woolf published in her lifetime, the eight stories published as 'Monday and Tuesday', together with seven later stories. Without these bold and experimental forays into the short story she would never have become the great modernist novelist. Essential to her development as a novelist, these stories are among the most interesting and accomplished fictions she wrote.

First published in 1921 as part of her ground-breaking short-story collection Monday or Tuesday, Kew Gardens follows the thoughts of a set of characters walking past a flower bed in the royal botanic garden on a hot July day.

Night and Day, Virginia Woolf's second novel, although traditional in form, displays the preoccupations and largeness of ambition which portend the mature novelist. As her impulsive aspiring quartet try to escape the conventions of society in search of their true selves, Virginia Woolf paints an unforgettable picture of the intellectual aristocrats of pre-1914 London.

The Years follows the lives of the Pargiters, a large middle-class London family, from an uncertain spring in 1880 to a party on a summer evening in the 1930s. We see them each endure and remember heart-break, loss, radical change and stifling conformity, marriage and regret.

Virginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from the more traditional narrative style of Solid Objects through the fragile impressionism of Kew Gardens to the abstract exploration of consciousness in The Mark on the Wall.