Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. She combines empirical research with theoretical insights from both art history and Buddhist studies.
Artistic Devotion of Buddhist Women in Late Imperial China
Focusing on the experiences of lay Buddhist women in late imperial China, the book explores how these women connected with Guanyin by embodying her qualities. The author integrates empirical research with theoretical perspectives from art history and Buddhist studies, offering a unique examination of devotion and identity. This work sheds light on the intersection of gender, spirituality, and cultural practices in historical contexts.