John Fowles explored themes of alienation and the search for identity within the framework of modern society. His writing style often delves into the psychological depths of characters, intertwining reality with subjective perception. Influenced by existentialism, his work emphasizes individual freedom and the struggle against conformity. Fowles's narratives challenge readers to consider the nature of reality and the human experience.
A collection of non-fiction writing from John Fowles which includes articles written for magazines; book reviews from "The New York Times Book Review" and the "Irish Press"; various forewords and introductions; a tribute to William Golding; and some autobiographical pieces
The scene is the village of Lyme Regis on Dorset's Lyme Bay..."the largest bite from the underside of England's out-stretched southwestern leg." The major characters in the love-intrigue triangle are Charles Smithson, 32, a gentleman of independent means & vaguely scientific bent; his fiancée, Ernestina Freeman, a pretty heiress daughter of a wealthy & pompous dry goods merchant; & Sarah Woodruff, mysterious & fascinating...deserted after a brief affair with a French naval officer a short time before the story begins. Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.
1984 192 S. (23x23 cm) Pappband mit Umschlag / gebundene Ausgabe London : Guild Publishing
On a remote Greek island, Nicholas Urfe finds himself embroiled in the deceptionsof a master trickster. Shimmering surreal threads weave ever tighter as reality and illusion intertwine in a bizarre psychological game. John Fowles expertly unfolds a tale that is lush with over-powering imagery in a spellbinding exploration of the complexities of the human mind. By turns disturbing, thrilling and seductive, THE MAGUS is a cerebral feast.
John Fowles (1926–2005) is widely regarded as one of the preeminent and most successful English novelists of the 20th century. His books have sold millions of copies worldwide, have been adapted for beloved films, and have been popularly voted among the 100 Greatest Novels of the Century. To a smaller but no less passionate audience, Fowles is also known as the author of The Tree—one of the most affecting and memorable arguments for the connection between the natural world and human creativity ever written. Fowles recounts his childhood in suburban and rural England, during which he rebelled against his Edwardian father’s obsession with the fruitfulness and “quantifiable yield” of well-pruned trees, and instead came to prize the messy, purposeless beauty of nature left to its wildest. The Tree is a powerful vindication of the joy of getting lost, the merits of having no plan, and the wisdom of following one’s nose wherever it might lead—in life as much as in art. Inspiring and life-changing, The Tree reaffirms our connection to nature and reminds us of the artistic life that is in all of us.
Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will
New Writing 9 brings together some of the most formidable British talent, placing new names alongside more established ones, and offers contributions ranging from poetry to essays, from short stories to previews of novels in progress. Distinctive, innovative and entertaining, it is essential reading for all those interested in British writing today. This volume features new writing from Simon Armitage, Louis de Bernières, John Burnside, Anita Desai, Neil Ferguson, Duncan McLean, Ruth Padel, Tim Parks; Rose Tremain, Alan Warner; and many others.
Two years after The Collector had brought him international recognition and a year before he published The Magus, John Fowles set out his ideas on life in The Aristos. The chief inspiration behind them was the fifth century BC philosopher Heraclitus. In the world he saw in constant and chaotic flux the supreme good was Aristos. unfree world. He called a materialistic and over-conforming culture to reckoning with his views on a myriad of subjects - pleasure and pain, beauty and ugliness, Christianity, humanism, existentialism and socialism.
An extraordinary work of fiction, from one of the world's most exceptional writers.WITH AN INTRODUCTION BY JULIAN FELLOWESAfter graduating from Oxford, Daniel Martin moved to America and successfully pursued the dreams of many: he became a Hollywood screenwriter. But, as the years go by, Daniel grows more and more unsatisfied with the life he once coveted and the person he has become. Now Daniel has been called back to England to reconcile with a dying friend, but finds that he must also reconcile with the past and with himself.'I find it disastrous to read any of John Fowles' books - once I pick one up, I cannot put it down so everything else gets ignored!' Judi Dench, Daily Express'An instant masterpiece. It is a tour de force of stamina and subtlety' Daily Telegraph
The five masterful works of short fiction in The Ebony Tower bring us once again into the company of a great contemporary novelist working his intriguing and dazzling themes, probing the fitful relationships of fantasy and reality, love and hate, pleasure and pain. And they are an enduring testament to John Fowles's reputation as one of the finest storytellers of our time.
