In 1963 John Fowles won international recognition with his first published novel The Collector. But his roots as a serious writer can be traced back long before to the journal he began as a student at Oxford in the late 1940s and continued to keep faithfully over the next half century.
A collection of non-fiction writing from John Fowles which includes articles written for magazines; book reviews from "The New York Times Book Review" and the "Irish Press"; various forewords and introductions; a tribute to William Golding; and some autobiographical pieces
The journals provide an intimate look into John Fowles' intellectual growth, starting in 1949 during his last year at Oxford. They detail his experiences as a university lecturer in France and a schoolteacher on the Greek island of Spetsai, offering insights into his formative years. The second volume, beginning in 1966, captures Fowles as he grapples with the challenges of fame and wealth following his literary success. These reflections highlight his evolution as a writer and thinker, showcasing the journey of one of the twentieth century's most influential novelists.
John Fowless The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, but even almost half a century after its first publication, it continues to create tension and concern, remaining the page-turner that it was when it was first released.
On a remote Greek Island, Nicholas Urfe finds himself embroiled in the deceptions of a master trickster. As reality and illusion intertwine, Urfe is caught up in the darkest of psychological games. John Fowles expertly unfolds a tale that is lush with ove
Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will
Two years after The Collector had brought him international recognition and a year before he published The Magus, John Fowles set out his ideas on life in The Aristos. The chief inspiration behind them was the fifth century BC philosopher Heraclitus. In the world he saw in constant and chaotic flux the supreme good was Aristos. unfree world. He called a materialistic and over-conforming culture to reckoning with his views on a myriad of subjects - pleasure and pain, beauty and ugliness, Christianity, humanism, existentialism and socialism.
The clash of social systems and ethical standards of Victorian England are epitomized in the love triangle of Ernestina Freeman, a spoiled shallow daughter of a merchant prince; Charles Smithson, a well-fixed and well-born amateur scientist; and Sarah Woodruff, whom the citizens of the town scorn because of a brief affair she had with a French sailor.
In this series of moving recollections involving both his childhood and his work as a mature artist, John Fowles explains the impact of nature on his life and the dangers inherent in our traditional urge to categorise, to tame and ultimately to possess the landscape. schovat popis
From the author of THE FRENCH LIEUTENANT'S WOMAN, a novel first published by Jonathan Cape in 1977. Set in various international locations over the course of three decades, an account of an Englishman's attempt to see himself and his time in the mirrors of the past.
