John Fowles explored themes of alienation and the search for identity within the framework of modern society. His writing style often delves into the psychological depths of characters, intertwining reality with subjective perception. Influenced by existentialism, his work emphasizes individual freedom and the struggle against conformity. Fowles's narratives challenge readers to consider the nature of reality and the human experience.
A collection of non-fiction writing from John Fowles which includes articles written for magazines; book reviews from "The New York Times Book Review" and the "Irish Press"; various forewords and introductions; a tribute to William Golding; and some autobiographical pieces
On a remote Greek island, Nicholas Urfe finds himself embroiled in the deceptionsof a master trickster. Shimmering surreal threads weave ever tighter as reality and illusion intertwine in a bizarre psychological game. John Fowles expertly unfolds a tale that is lush with over-powering imagery in a spellbinding exploration of the complexities of the human mind. By turns disturbing, thrilling and seductive, THE MAGUS is a cerebral feast.
Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. A lottery win enables him to capture art student Miranda and keep her in the cellar of the Sussex house he has bought with the windfall.
Two years after The Collector had brought him international recognition and a year before he published The Magus, John Fowles set out his ideas on life in The Aristos. The chief inspiration behind them was the fifth century BC philosopher Heraclitus. In the world he saw in constant and chaotic flux the supreme good was Aristos. unfree world. He called a materialistic and over-conforming culture to reckoning with his views on a myriad of subjects - pleasure and pain, beauty and ugliness, Christianity, humanism, existentialism and socialism.
The French Lieutenant's Woman is a 1969 postmodern historical fiction novel by John Fowles. It was his third published novel, after The Collector (1963) and The Magus (1965). The novel explores the fraught relationship of gentleman and amateur naturalist Charles Smithson and Sarah Woodruff, the former governess and independent woman with whom he falls in love. The novel builds on Fowles' authority in Victorian literature, both following and critiquing many of the conventions of period novels. Following publication, the library magazine American Libraries, described the novel as one of the “Notable Books of 1969”. Subsequent to its initial popularity, publishers produced numerous editions and translated the novel into many languages; soon after the initial publication, the novel was also treated extensively by scholars.
An extraordinary work of fiction, from one of the world's most exceptional writers.WITH AN INTRODUCTION BY JULIAN FELLOWESAfter graduating from Oxford, Daniel Martin moved to America and successfully pursued the dreams of many: he became a Hollywood screenwriter. But, as the years go by, Daniel grows more and more unsatisfied with the life he once coveted and the person he has become. Now Daniel has been called back to England to reconcile with a dying friend, but finds that he must also reconcile with the past and with himself.'I find it disastrous to read any of John Fowles' books - once I pick one up, I cannot put it down so everything else gets ignored!' Judi Dench, Daily Express'An instant masterpiece. It is a tour de force of stamina and subtlety' Daily Telegraph
The five masterful works of short fiction in The Ebony Tower bring us once again into the company of a great contemporary novelist working his intriguing and dazzling themes, probing the fitful relationships of fantasy and reality, love and hate, pleasure and pain. And they are an enduring testament to John Fowles's reputation as one of the finest storytellers of our time.
A novel about a group of men travelling in England, who meet a promiscuous woman in an inn.
In Mantissa (1982), a novelist awakes in the hospital with amnesia -- and comes to believe that a beautiful female doctor is, in fact, his muse.
Tom Adams painted the first Christie cover in 1962 for A Murder is Announced and since then his paintings have become one of the best known series of paperback covers all over the world.
