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John Corigliano

    Winging It: For Piano
    She Must Stay from the Opera the Ghosts of Versailles: Marie Antoinette's Final Aria - Soprano
    Stomp: For Scordatura Violin
    Concerto for Piano and Orchestra: Full Score
    Mr. Tambourine Man: Seven Poems of Bob Dylan: For Voice and Piano
    Gazebo Dances: Piano Duet
    • 2020
    • 2018

      Winging It: For Piano

      • 23 pages
      • 1 hour of reading

      The composition features three distinct movements derived from MIDI-realized improvisations by the composer. It showcases a blend of spontaneity and structured creativity, reflecting the evolution of contemporary piano music. Ursula Oppens premiered the piece in 2009, highlighting its modern approach and innovative use of technology in musical expression.

      Winging It: For Piano
    • 2017

      Stomp: For Scordatura Violin

      • 12 pages
      • 1 hour of reading

      (String). In this piece, influenced by American bluegrass and jazz fiddle styles, the violin's outer strings are tuned to non-standard pitches.

      Stomp: For Scordatura Violin
    • 2017

      The composition is a poignant tribute to the composer’s father, a former concertmaster of the New York Philharmonic. It features an extended dialogue between clarinet and violin, starting with a solo violin line that evokes desolation. The piece maintains a consistent mood without a climactic moment, emphasizing sustained lyricism. It alternates between two melodic ideas introduced by the violin and clarinet, with a recurring three-note motto that ties the structure together. The work concludes as it began, with the violin line, now harmonized by the clarinet.

      Soliloquy: For Clarinet and String Quartet
    • 2011

      This quarter-tone composition features eerie effects and striking dissonances, creating an expressive and startling listening experience. Structured in three movements—Light, Shadows, and Strobe—the piece has a duration of approximately 12 minutes, showcasing a unique exploration of sound and atmosphere.

      Chiaroscuro: Two Pianos (One Tuned Down a 1/4 Tone) Two Playing Scores
    • 2010

      Inspired by Beaumarchais's La Mere coupable, this opera features a libretto by William M. Hoffman. It was commissioned by the Metropolitan Opera Company to celebrate its centennial, highlighting its significance in the operatic landscape. The work promises a blend of classic themes and contemporary interpretation, reflecting the rich tradition of opera while marking a milestone in the company's history.

      The Ghosts of Versailles: A Grand Opera Buffa in Two Acts: Piano-Vocal Score
    • 2008
    • 2007

      The concerto intricately weaves the narrative of a magnificent yet haunted violin, tracing its journey through three centuries. Inspired by music from the Academy Award-winning film "The Red Violin," it reflects the emotional depth and historical significance of the instrument. Composed in memory of the author's father, who was the concertmaster of the New York Philharmonic, this 36-minute piece showcases Corigliano's profound connection to both personal and musical heritage.

      John Coriglioano: Concerto for Violin and Orchestra: The Red Violin
    • 2006

      The concerto reimagines the Pied Piper as a young adolescent who gains power through self-discovery, ultimately leading both rats and children. The narrative culminates in a finale that emphasizes his protective instincts towards the children against neglectful parents. This work, originally premiered in 1981, was later expanded into a full ballet score, showcasing the Piper's dual role as a captivating figure and a guardian. The performance lasts approximately 40 minutes and highlights themes of innocence, leadership, and societal responsibility.

      Pied Piper Fantasy: For Flute and Orchestra