Upon the death of her mother, Agatha Bodenham finds herself alone for the first time in her life. Solitary and socially awkward by nature, she starts to dream about her imaginary childhood friend - the only friend she ever had.
Edith Olivier Books
Edith Maud Olivier was an English writer, also noted for acting as hostess to a circle of well-known writers, artists, and composers in her native Wiltshire. Her literary contribution lies in her unique style and ability to bridge artistic circles. Olivier's work reflects her deep understanding of the artistic world and her influence on the cultural scene of her time.
Country Moods and Tenses, a Non-grammarian's Chapbook
- 186 pages
- 7 hours of reading
'. . . let the townsman say what he will, country life has more variety . . .' A contemporary of Cecil Beaton, Siegfried Sassoon and Rex Whistler, Edith Olivier is best known for her first book, the novella, The Love Child but was the author of a variety of both fiction and non-fiction, as well as becoming the mayor of Wilton, Wiltshire, in 1939. In this biographical memoir, written during the Second World War and subtitled 'A Non-Grammarian's Chapbook', Olivier takes the five grammatical moods - infinitive, imperative, indicative, subjunctive and conditional - and uses them to describe village and country life in her beloved Wiltshire as it was in 1941, the year of first publication. Covering a range of topics - from the folklore and traditions of the local area, to the weather and landscape itself - Edith Olivier's Country Moods and Tenses captures a moment and describes a world which has, in many ways, been lost to us.
Horror! Horror! Horror!
- 86 pages
- 4 hours of reading
The collection features three horror stories by Edith Olivier, written between 1934 and 1935, showcasing her talent in the genre. Known primarily for her fantasy work, Olivier's contributions to horror reveal her skill in crafting unsettling and ghastly narratives. These stories highlight her unique voice and solidify her status as an underrated figure in British horror literature, offering readers a glimpse into her ability to evoke terror through her limited yet impactful body of work.