University of Texas Press Books

Features poems collected by an unidentified Icelander, probably during the twelfth or thirteenth century, and was rediscovered in Iceland in the seventeenth century by Danish scholars.

Surveying a wide range of international productions, this collection of essays by established and emerging scholars investigates the important cultural work performed by repetition, or multiplicities, in film and television.

Features essays derived from papers presented at the First International Symposium on Philodemus, Vergil, and the Augustans held in 2000, that offer a new baseline for understanding the effect of Philodemus and Epicureanism on both the thought and poetic practices of Vergil, Horace, and other Augustan writers.

Explores the many links between the centuries-old graphic tradition of Japanese painting and scroll making and the more recent discipline of the cinema

Collecting the perspectives of scholars who reflect on their own relationships to particular garments, analyze the politics of dress, and examine the role of consumerism and entrepreneurialism in the production of creating and selling a style, meXicana Fashions examines and searches for meaning in these visible, performative aspects of identity. Focusing primarily on Chicanas but also considering trends connected to other Latin American communities, the authors highlight specific constituencies that are defined by region (“Tejana style,” “L.A. style”), age group (“homie,” “chola”), and social class (marked by haute couture labels such as Carolina Herrera and Oscar de la Renta). The essays acknowledge the complex layers of these styles, which are not mutually exclusive but instead reflect a range of intersections in occupation, origin, personality, sexuality, and fads. Other elements include urban indigenous fashion shows, the shifting quinceañera market, “walking altars” on the Days of the Dead, plus-size clothing, huipiles in the workplace, and dressing in drag. Together, these chapters illuminate the full array of messages woven into a vibrant social fabric.

Collecting the diverse perspectives of scholars, labor organizers, and human-rights advocates, Accountability across Borders is the first edited collection that connects studies of immigrant integration in host countries to accounts of transnational migrant advocacy efforts, including case studies from the United States, Canada, and Mexico. Covering the role of federal, state, and local governments in both countries of origin and destinations, as well as nongovernmental organizations (NGOs), these essays range from reflections on labor solidarity among members of the United Food and Commercial Workers in Toronto to explorations of indigenous students from the Maya diaspora living in San Francisco. Case studies in Mexico also discuss the enforcement of the citizenship rights of Mexican American children and the struggle to affirm the human rights of Central American migrants in transit. As policies regarding immigration, citizenship, and enforcement are reaching a flashpoint in North America, this volume provides key insights into the new dynamics of migrant civil society as well as the scope and limitations of directives from governmental agencies.

Written to accompany movies screened by the Radio-Television-Film Department at the University of Texas, the CinemaTexas Notes open a fascinating window on the early Austin film scene and the rise of film studies.

Leading film studies scholars explore the astonishing range of Michael Curtiz, the most prolific director of studio-era Hollywood, whose nearly one hundred films include Casablanca, White Christmas, and Mildred Pierce.

Tracing the rise of the Marvel Comics brand from the creation of the Fantastic Four to the development of the Marvel Cinematic Universe, this volume of original essays considers how a comic book publisher became a transmedia empire.