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Brings Romanticism into dialogue with current understandings of consciousness With explosive interest in Romantic science and theories of mind and a renewed sense of the period's porousness to the world, along with new developments in cognitive theory and research, Romantic studies scholars have been called to revisit and remap the terrain laid out in the highly influential 1970 volume Romanticism and Consciousness. Romanticism and Consciousness, Revisited brings this shift in approach to Romantic "consciousness"- no longer the possession of a sole self but transactional, social, and entangled with the outside world - up to date. Richard C. Sha is Professor of Literature and Affiliate Professor of Philosophy at American University in Washington, DC. Joel Faflak is Professor of English and Theory at the University of Western Ontario

Explores of social justice, citizenship, and community in the context of data-driven urbanism

Remaps the state of Scottish writing in the contemporary moment, embracing its uncertainty and the need to reconsider the field's founding assumptions and exclusions A provisional re-mapping of Scotland's post-devolution literary culture, these fifteen essays explore how literature, theatre and visual art have both shaped and reflected the 'new Scotland' promised by parliamentary devolution. Chapters explore leading figures such as Alasdair Gray, David Greig, Kathleen Jamie and Jackie Kay, while also paying particular attention to women's writing by Kate Atkinson, A. L. Kennedy, Denise Mina, Ali Smith, Louise Welsh, and writers of colour such as Bashabi Fraser, Annie George, Tendai Huchu, Chin Li and Raman Mundair. Tracing continuities with 1990s debates alongside 'edges of the new' visible since Indyref 2014, these critics offer an in-depth study of Scotland's vibrant literary production in the period of devolution, viewed both within and beyond the frame of national representation. Marie-Odile Pittin-Hedon is a Professor of Scottish Literature at Aix-Marseille University (AMU). Camille Manfredi is a Professor of Scottish Literature at the University of Western Brittany (UBO). Scott Hames is a Senior Lecturer at the University of Stirling, where he led the MLitt programme in Scottish Literature.

During the latter half of the twentieth century the Gothic emerged as one of the liveliest and most significant areas of academic inquiry within literary, film, and popular culture studies. This volume covers the key concepts and developments associated with TwentiethCentury Gothic, tracing the development of the mode from the fin de siècle to 9/11. The eighteen chapters reflect the interdisciplinary and everevolving nature of the Gothic, which, during the century, migrated from literature and drama to the cinema and television. The volume has both a chronological and thematic focus and particular attention is paid to topics and themes related to race, identity, marginality and technology. Chapters on ecogothic, Gothic Studies as a discipline, Medical Humanities, Queer studies, African American Studies and Russian Gothic ensure that the collection is uptodate and wideranging. In addition to the Introduction by the editors, suggested further readings at the end of each chapter are intended to facilitate further independent research by readers and researchers.

Collects critical essays on the influential Argentine director Lucrecia Martel

Incorporates the lessons learned from the 2011 Arab revolutions into democratic transition theory.

An important resource for educators who desire to use literary texts in cultivating vocational exploration among students or in scholarship on vocation.

Examines François Ozon, one of France's most prolific and best known international (queer) directors.

The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of ‘soft power’ in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a ‘soft power’ resource. The contributors explore the wider implications for world cinema of its members’ differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit.

The first English-language book to cover Danish cinema from the 1890s to the present day.