Yale University Press Books

The first major publication to explore the prolific career of Kaffe Fassett, one of the most recognized names in contemporary craft and design

A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880. Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country’s varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism.

Evocative poems and prose fragments about home, selected by one of the most celebrated poets of our time

Through images and texts both historical and contemporary, this book looks at the Great Migration and its profound and ongoing impact

An introduction to the design, production and use of luxury embroideries in medieval England (c. 1200-1530).

An examination of the innovative portrayals of industry and leisure created by five avant-garde artists working at Asnieres in the late nineteenth century

Josef Albers (1888–1976) and Wassily Kandinsky (1866–1944), artists and teachers at the Bauhaus, were exiled from Germany when the school was forced to close in the early 1930s. The 46 letters in this volume document the intimate exchange between these two friends in a period when the world was coming apart. Despite the tumult, each wrote to the other of his continuous creative evolution, while also providing rich impressions of his new world. For Kandinsky, this was Paris where he navigated a new avant-garde scene. For Albers, it was the United States where he and his wife Anni began teaching at the recently founded Black Mountain College in North Carolina. Kandinsky’s and Albers’s correspondence reveals their warmth and humor, their strength in coping with unexpected circumstances, and above all their conviction in the resilience and power of art. Archival photographs, artwork, and ephemera accompany the collection, which brings together the artists’ full extant correspondence for the first time in English and German. Distributed for the Josef and Anni Albers Foundation

"Mark Rothko (1903-1970), world-renowned icon of Abstract Expressionism, is rediscovered in this wholly original examination of his art and life written by his son. Synthesizing rigorous critique with personal anecdotes, Christopher, the younger of the artist's two children, offers a unique perspective on this modern master. Christopher Rothko draws on an intimate knowledge of the artworks to present eighteen essays that look closely at the paintings and explore the ways in which they foster a profound connection between viewer and artist through form, color, and scale. The prominent commissions for the Rothko Chapel in Houston and the Seagram Building murals in New York receive extended treatment, as do many of the lesser-known and underappreciated aspects of Rothko's oeuvre, including reassessments of his late dark canvases and his formidable body of works on paper. The author also discusses the artist's writings of the 1930s and 1940s, the significance of music to the artist, and our enduring struggles with visual abstraction in the contemporary era. Finally, Christopher Rothko writes movingly about his role as the artist's son, his commonalities with his father, and the terms of the relationship they forged during the writer's childhood."--Publisher's description.

A presentation of key findings and insights from over two decades of research, education, and community engagement in the acclaimed Baltimore Ecosystem Study. In a world of over seven billion people-who mostly reside in cities and their suburbs and exurbs-the Baltimore Ecosystem Study is recognized as a pioneering program for modern urban social-ecological science, critical to the emerging theory of urban ecology. After two decades of research, education, and community engagement in this complex system, there are insights to share, generalizations to examine, and gaps to highlight. This timely volume synthesizes the key empirical findings, melds the perspectives of different disciplines, and celebrates the accomplishments of interacting with diverse communities and institutions in improving the understanding of Baltimore's ecology. These widely applicable insights from Baltimore contribute to our understanding the ecology of other cities, provide a comparison for the global process of urbanization, and inform establishment of urban ecological research elsewhere. Comprehensive, interdisciplinary, and highly original, it gives voice to the wide array of specialists who have contributed to this living urban laboratory.

Neuroscientist David J. Linden approached leading brain researchers and asked each the same question: What idea about brain function would you most like to explain to the world? Their responses make up this ... collection of popular science essays that seeks to expand our knowledge of the human mind and its possibilities--Amazon.com.