Duchamp's famous last artwork, seen not as a summation of his work but as an invitation to endless interpretation.
Julian Jason Haladyn Books
Focusing on the unique artistic journey of Aganetha Dyck, this publication explores her significant engagement with small-scale art, particularly her collaboration with bees. It features a main text that delves into her career, alongside a collaborative essay by Miriam Jordan-Haladyn and an extensive interview with Dyck herself. This book is part of the Canadian Artist Monograph Series (CAMS) and highlights the intersection of art and nature in Dyck's work, showcasing her innovative approach to the concept of the small.
This book is a significant re-thinking of Duchamp's importance in the twenty- first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism.
Examines the manners in which modern artists use boredom as a form of aesthetic resistance that, at its most positive, is the will to boredom.