Leanne Betasamosake Simpson is a Michi Saagiig Nishnaabeg scholar, writer, and artist, recognized as one of the most compelling Indigenous voices of her generation. Her work intricately weaves together politics, narrative, and song, immersing audiences in a rich and layered world of sound, light, and sovereign creativity. She is also a musician who combines poetry, storytelling, songwriting, and performance with other artists, crafting unique spoken songs and soundscapes that reflect her distinctive approach to art and ideas.
Exploring the elemental force of water, Leanne Betasamosake Simpson weaves Indigenous stories and traditions to propose a transformative vision for the future. Her acclaimed writing challenges conventional perspectives and highlights the significance of Indigenous knowledge in addressing contemporary issues. Through this lens, she offers a unique approach to understanding our relationship with nature and the vital role water plays in shaping cultural identity and environmental sustainability.
A hilariously offbeat and tender comedy about one bipolar woman’s messy search for love at a seaside wedding where no one can stay afloat. Is she falling in love, or falling apart? Dee, Misa, and Matt were the "three musketeers" of the psych ward. A year after discharge, Dee is eager to convince everyone that she’s finally turning things around. But Matt and Misa are tying the knot in Turks and Caicos, surrounded by guests who have no idea where they met, and the secrecy isn’t sitting well with Dee, who has been hopelessly in love with Matt since before she got kicked out of the hospital. So, when Dee arrives at the swanky resort with her high-voltage sister, Tilley, it’s now or never to confess how she feels. But disrupting her best friends’ nuptials would jeopardize the entire support system that holds the trio together. When it comes to happily ever afters, how is a girl supposed to choose between love and recovery?
Articulating abolitionist and anti-colonial presents and futures, Rehearsals for Living asks what it means to get free.
In A Short History of the Blockade, award-winning writer Leanne Betasamosake Simpson uses Michi Saagiig Nishnaabeg stories, storytelling aesthetics, and practices to explore the generative nature of Indigenous blockades through our relative, the beaver—or in Nishnaabemowin, Amik. Moving through genres, shifting through time, amikwag stories become a lens for the life-giving possibilities of dams and the world-building possibilities of blockades, deepening our understanding of Indigenous resistance as both a negation and an affirmation. Widely recognized as one of the most compelling Indigenous voices of her generation, Simpson’s work breaks open the intersections between politics, story, and song, bringing audiences into a rich and layered world of sound, light, and sovereign creativity. A Short History of the Blockade reveals how the practice of telling stories is also a culture of listening, "a thinking through together," and ultimately, like the dam or the blockade, an affirmation of life. Introduction by Jordan Abel.
"Noopiming is Anishinaabemowin for "in the bush," and the title is a response to English Canadian settler and author Susanna Moodie's 1852 memoir Roughing It in the Bush. Set in the same place as Moodie's colonial memoir, this genre-fluid novel is offered as a cure for Moodie's racist treatment of Mississauga Nishnaabeg in her writing. The giant Sabe meditates on the gifts and challenges of their recent sobriety. Migrating geese make a case for coordinated formation as a way to get out of "one's own cycling head." Racoons turn Bougie Kwe's Zen-garden pond into their personal urban spa. This is a world alive with people, animals, ancestors, and spirits who are all busy with the daily labours of healing -- healing not only themselves, but their individual pieces of the network, of the web that connects them all together. These stories gather up tiny pieces, one at a time, as they slowly circle through the perspectives of different characters, in a breathtaking act of world-building that rewards patience and deep listening. This is the real world, the one where meaning accumulates through close observation and relationship. Enter and be changed."--
Winner: Native American and Indigenous Studies Association's Best Subsequent Book 2017 Honorable Mention: Labriola Center American Indian National Book Award 2017 Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking. Indigenous resistance is a radical rejection of contemporary colonialism focused around the refusal of the dispossession of both Indigenous bodies and land. Simpson makes clear that its goal can no longer be cultural resurgence as a mechanism for inclusion in a multicultural mosaic. Instead, she calls for unapologetic, place-based Indigenous alternatives to the destructive logics of the settler colonial state, including heteropatriarchy, white supremacy, and capitalist exploitation.
A collection of stories and songs that explores the subject of decolonization
Cover -- Half Title -- Title -- Copyright -- Contents -- Introduction -- 1 Nishnaabeg Brilliance as Radical Resurgence Theory -- 2 Kwe as Resurgent Method -- 3 The Attempted Dispossession of Kwe -- 4 Nishnaabeg Internationalism -- 5 Nishnaabeg Anticapitalism -- 6 Endlessly Creating Our Indigenous Selves -- 7 The Sovereignty of Indigenous Peoples' Bodies -- 8 Indigenous Queer Normativity -- 9 Land as Pedagogy -- 10 "I See Your Light": Reciprocal Recognition and Generative Refusal -- 11 Embodied Resurgent Practice and Coded Disruption -- 12 Constellations of Coresistance -- Conclusion Toward Radical Resurgent Struggle -- Acknowledgments -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
"Policing Black Bodies is a timely and much-needed exposure of historical and contemporary practices of state-sanctioned violence against Black lives in Canada. This groundbreaking work dispels many prevailing myths that cast Canada as a land of benevolence and racial equality, and uncovers long-standing state practices that have restricted Black freedom. A first of its kind, Policing Black Bodies creates a framework that makes legible how anti-Blackness has influenced the construction of Canada's carceral landscape, including the development and application of numerous criminal law enforcement and border regulation practices. The book traces the historical and contemporary mobilization of anti-Blackness spanning from slavery, 19th and 20th century segregation practices, and the application of early drug and prostitution laws through to the modern era. Maynard makes visible the ongoing legacy of a demonized and devalued Blackness that is manifest today as racial profiling by police, immigration agents and social services, the over-representation of Black communities in jails and prisons, anti-Black immigration detention and deportation practices, the over-representation of Black youth in state care, the school-to-prison pipeline and gross economic inequality. Following the dictums of the Black Lives Matter movement, Policing Black Bodies adopts an intersectional lens that explores the realities of those whose lives and experiences have historically been marginalized, stigmatized, and made invisible. In addressing how state practices have impacted Black lives, the book brings from margin to centre an analysis of gender, class, sexuality, (dis)ability, citizenship and criminalization. Beyond exploring systemic racial injustice, Policing Black Bodies pushes the limits of the Black radical imagination: it delves into liberatory Black futures and urges the necessity of transformative alternatives."-- Fourni par l'éditeur
Anishinaabeg values and teachings are brought to life through retold stories that resonate with contemporary audiences. The narrative emphasizes respect for all genders and highlights the significance of even the smallest beings. Central to the tales is the theme of unconditional love, which strengthens bonds among families and communities, reinforcing their connection to the land. This collection aims to inspire a new generation by weaving cultural wisdom into engaging narratives.