Olga Bártová Book order

Autobiografie dívky, kterou rodiče nechali unést a poslali na drsnou převýchovu. Patnáctiletá Elizabeth je vzorná žačka a skvělá sportovkyně, ale jednoduché to s ní není – chodí tajně ven, často se opíjí a trpí silnými výbuchy vzteku. Rodiče s ní jednoho dne ztratí trpělivost a rozhodnou se pro převýchovu. Elizabeth je s jejich vědomím unesena do divočiny, kde v drsných podmínkách stráví s dalšími „problémovými“ dívkami tři měsíce. Další rok prožije v uzavřené internátní škole, jejíž program připomíná spíš sektu. Teprve o mnoho let později dokáže vyprávět svůj traumatizující příběh

Captured by the Gestapo, Maria is imprisoned in Auschwitz while her family is sent to their deaths. Realizing her ability to play chess, the sadistic camp deputy, Fritzsch, intends to use her as a chess opponent to entertain the camp guards. Literally playing for her life through four grueling years, Maria intends to orchestrate Fritzsch's downfall. Maria, vowing to avenge the murder of her family, challenges her former nemesis to one final game, certain to end in life or death, in failure or justice. Print run 30,000

Over 2.5 million copies sold 'Funny, touching and unpredictable' Jojo Moyes 'Heartwrenching and wonderful' Nina Stibbe Winner of Costa First Novel Award, a No.1 Sunday Times bestseller and the Book of the Year Eleanor Oliphant has learned how to survive - but not how to live Eleanor Oliphant leads a simple life. She wears the same clothes to work every day, eats the same meal deal for lunch every day and buys the same two bottles of vodka to drink every weekend. Eleanor Oliphant is happy. Nothing is missing from her carefully timetabled life. Except, sometimes, everything. One simple act of kindness is about to shatter the walls Eleanor has built around herself. Now she must learn how to navigate the world that everyone else seems to take for granted - while searching for the courage to face the dark corners she's avoided all her life. Change can be good. Change can be bad. But surely any change is better than... fine? 'Moving, funny and devastating' The Herald 'Unforgettable, brilliant, funny and life-affirming' Daily Mail 'I adored it. Skilled, perceptive, Eleanor's world will feel familiar to you from the very first page. An outstanding debut!' Joanna Cannon

Adam Gordon is a senior at Topeka High School, class of '97. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting "lost boys" to open up. They both work at a psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater, expected to win a national championship before he heads to college. He is one of the cool kids, ready to fight or, better, freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who bring the loner Darren Eberheart--who is, unbeknownst to Adam, his fathers' patient--into the social scene, to disastrous effect. Deftly shifting perspectives and time periods, The Topeka School is the story of one family's struggles and strengths: Jane's reckoning with the legacy of an abusive father, Jonathan's marital transgressions, the challenge of raising a good son in a culture of toxic masculinity. It is also a riveting prehistory of the present: the collapse of public speech, the trolls and tyrants of the New Right, and the ongoing crisis of identity among white men

Deported to the Theresienstadt concentration camp, Jakub Rand is forced to sort through Jewish books for a so-called Museum of the Extinct Race. Hidden among the rare texts is a tattered prayer book, hollow inside, containing a small pile of dirt. Meanwhile Frantiska Roubickova contemplates her failed marriage, despairing of her conversion to Judaism. When the Nazis summon her two eldest daughters for transport, she must sacrifice everything to save them. Decades later, Bram Presser embarks on a quest to find the truth behind the stories his family built around these remarkable survivors.

MORTAL ENGINES launched Philip Reeve's brilliantly-imagined creation, the world of the Traction Era, where mobile cities fight for survival in a post-apocalyptic future. Now, in time for the film debut, the critically acclaimed MORTAL ENGINES quartet is repackaged with a fantastic and eye-catching cover featuring new artwork. In the fourth and final brilliant installment of Philip Reeve's award-winning quartet, after twenty years, the devastating world war between the predatory Traction Cities and their enemies is ending. Wren and her father Tom Natsworthy travel the Bird Roads in their airship, trying to forget Hester's betrayal. But in the ruined wreckage of the city of London they make a discovery that changes everything. And Hester faces an implacable foe with the means and the will to destroy the entire human race.

Born to survivalists in Idaho, Tara Westover didn't go to school. As she grew older, her father became more radical and her brother more violent. At sixteen, Tara knew she had to leave home. In doing so she discovered both the transformative power of education, and the price she had to pay for it.

From twice National Book Award–nominated Rachel Kushner, whose Flamethrowers was called “the best, most brazen, most interesting book of the year” (Kathryn Schulz, New York magazine), comes a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It’s 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision. Stunning and unsentimental, The Mars Room demonstrates new levels of mastery and depth in Kushner’s work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in The New Yorker , her fiction “succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive.” “Kushner is going to be one we turn to for our serious pleasures and for the insight and wisdom we’ll be needing in hard times to come. She is a novelist of the very first order.” —Robert Stone “Kushner is a young master. I honestly don’t know how she is able to know so much and convey all of this in such a completely entertaining and mesmerizing way.” —George Saunders

Wren longs to escape from Anchorage. She craves the dangerous adventures her parents once had - and a charming submarine pirate is ready to take her to sea. But the object that she steals for him ignites a conflict that will tear the whole world apart... The third thrilling instalment of Reeve's critically acclaimed MORTAL ENGINES quartet.