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Owen Gallagher

    Owen Gallagher critically examines the role of copyright in the digital age and its impact on creative remix practices. His work delves into the function of sampling within transformative works and its influence on visual semiotics. Drawing from visual culture studies, Gallagher's research highlights the tension between intellectual property rights and the freedom of creative expression in contemporary media. His expertise offers valuable insights into the dynamics of digital creation and its legal and cultural landscape.

    Clydebuilt
    Reclaiming Critical Remix Video
    • Reclaiming Critical Remix Video

      The Role of Sampling in Transformative Works

      • 286 pages
      • 11 hours of reading

      Focusing on critical remix videos, this book employs multimodal analyses to explore both remixed and non-remixed intertextual works. It synthesizes various investigative methods, including semiotic, rhetorical, and ideological analysis, to deepen the discussion on how these forms of media interact and convey meaning. The approach offers a comprehensive examination of the complexities involved in remix culture and its implications for understanding communication and representation in contemporary media.

      Reclaiming Critical Remix Video
    • 'Ah'll show yoo anuther Glesca,' announces Owen Gallagher in 'Thi Unoffishal Toorist Guide Oootside Glesca Central', not the 'bleached version' of history books and tourist brochures. 'Clydebuilt' is a book about growing up in the Gorbals in the 1950s and 1960s - poverty, pawnshops and sectarianism, carbolic soap and lice, Saturday morning at the pictures, violent teachers, razor-gangs and blacklists. It's a book about language - Glaswegian dialect, Latin and the Church's 'tabernacle of language'. And it's a book about Red Clydeside, a city of dreamers, fighters, singers and rebels.

      Clydebuilt