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Xavier Aldana Reyes

    Xavier is a Reader in English Literature and Film at Manchester Metropolitan University, and a founding member of the Manchester Centre for Gothic Studies. His work delves into the intricate analysis of literary and cinematic works, exploring their thematic depths and stylistic nuances. Through his academic pursuits, he contributes to a richer understanding of genres and their evolution. His expertise in Gothic studies illuminates the darker facets of the human psyche and societal constructs as depicted in narrative.

    Horror Film and Affect
    Spanish Gothic
    Gothic Cinema
    • Gothic Cinema

      • 280 pages
      • 10 hours of reading

      Explores the long history of Gothic cinema, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton

      Gothic Cinema
    • Spanish Gothic

      National Identity, Collaboration and Cultural Adaptation

      • 252 pages
      • 9 hours of reading

      Exploring the evolution of the Gothic mode in Spain, this book delves into significant literary periods, including Romanticism and the booms of the 1970s and 2000s. Through illustrative case studies, Aldana Reyes reveals how the Gothic has continuously influenced Spanish literature and cinema since the late-eighteenth century. The author argues that creators embraced the Gothic as a liberating and transgressive form of expression, showcasing its enduring relevance and adaptability within the cultural landscape.

      Spanish Gothic
    • Horror Film and Affect

      Towards a Corporeal Model of Viewership

      • 206 pages
      • 8 hours of reading

      Focusing on the intersection of affect theory, horror cinema, and performance studies, this book offers a critical examination of moving images depicting mutilation and how audiences respond to them. It explores the emotional impacts these representations have, enriching the discourse surrounding horror films and their reception. By integrating these three fields, the work aims to provide new insights into the complexities of viewer engagement with graphic content in cinema.

      Horror Film and Affect