Gothic Cinema
- 280 pages
- 10 hours of reading
Explores the long history of Gothic cinema, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton
Xavier is a Reader in English Literature and Film at Manchester Metropolitan University, and a founding member of the Manchester Centre for Gothic Studies. His work delves into the intricate analysis of literary and cinematic works, exploring their thematic depths and stylistic nuances. Through his academic pursuits, he contributes to a richer understanding of genres and their evolution. His expertise in Gothic studies illuminates the darker facets of the human psyche and societal constructs as depicted in narrative.
Explores the long history of Gothic cinema, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton
Exploring the evolution of the Gothic mode in Spain, this book delves into significant literary periods, including Romanticism and the booms of the 1970s and 2000s. Through illustrative case studies, Aldana Reyes reveals how the Gothic has continuously influenced Spanish literature and cinema since the late-eighteenth century. The author argues that creators embraced the Gothic as a liberating and transgressive form of expression, showcasing its enduring relevance and adaptability within the cultural landscape.
Focusing on the intersection of affect theory, horror cinema, and performance studies, this book offers a critical examination of moving images depicting mutilation and how audiences respond to them. It explores the emotional impacts these representations have, enriching the discourse surrounding horror films and their reception. By integrating these three fields, the work aims to provide new insights into the complexities of viewer engagement with graphic content in cinema.