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Stephan Jaskolla

    Gender im globalen Kontext unterrichten (und verstehen?). Eine Analyse des Unterrichtsmaterials "Gender und Diversity" vom Welthaus Bielefeld
    Identitätsbildung und Gender in der Schule. Zur sozialen Konstruktion von Geschlecht bei Kindern und Jugendlichen
    The Construction of Black Masculinity in Blaxploitation and Hood Movies
    Genre Unchained. Quentin Tarantino's "Django Unchained" as Genre Hybrid
    The Depiction of Interracial Relationships in "Guess Who's Coming to Dinner" and "Jungle Fever"
    The Deconstruction of Monstrosity in "Grendel" by John Gardner
    • 2022

      Focusing on the perspective of the infamous monster from the Beowulf poem, this novel offers a modern retelling that delves into themes of identity, existentialism, and the nature of evil. Through Grendel's eyes, readers explore his struggles and motivations, challenging traditional narratives surrounding heroism and monstrosity. The seminar paper analyzes the literary significance and impact of Gardner's work within the context of English literature studies, highlighting its enduring relevance since its publication in 1971.

      The Deconstruction of Monstrosity in "Grendel" by John Gardner
    • 2020

      The analysis examines Quentin Tarantino's "Django Unchained," focusing on its classification within various film genres. It explores the film's hybrid nature, particularly emphasizing the spaghetti Western and Blaxploitation genres, which have sparked considerable debate. Additionally, the paper briefly addresses the Buddy Movie genre, aiming to uncover the implications of this genre hybridity on the film's narrative and thematic elements. Through this exploration, the study seeks to deepen the understanding of the film's unique stylistic and cultural significance.

      Genre Unchained. Quentin Tarantino's "Django Unchained" as Genre Hybrid
    • 2019

      The paper analyzes the impact of familial and community influences on bi-racial relationships depicted in "Guess Who's Coming to Dinner" and "Jungle Fever." It examines how each film presents differing perspectives on interracial coupling, highlighting the complexities and societal challenges faced by the main characters. Through this comparison, the author explores the broader implications of race and identity within the context of family dynamics and social acceptance.

      The Depiction of Interracial Relationships in "Guess Who's Coming to Dinner" and "Jungle Fever"
    • 2019

      The paper examines the portrayal of black masculinity in two significant film genres: Blaxploitation and Hood movies. By analyzing "Shaft" (1971) and "Boyz N The Hood" (1991), it explores how these films reflect and shape perceptions of black male identity across different eras. The study aims to highlight the evolution of black masculine representation, contrasting the bold, confident figures in Blaxploitation with the complex, often vulnerable characters in Hood cinema, thus providing insights into cultural narratives surrounding black masculinity.

      The Construction of Black Masculinity in Blaxploitation and Hood Movies