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Sholem Asch

    November 1, 1880 – July 10, 1957

    Sholem Asch was a Polish-American novelist who wrote in Yiddish, exploring themes of Jewish life, history, and spirituality. He gained renown for his historical novels, vividly depicting tumultuous events such as antisemitic uprisings. Asch also delved into complex ethical and theological questions, earning acclaim for the depth and literary artistry of his prose. His work often reflected his engagement with Jewish tradition and the challenges faced by Jewish communities across different eras.

    Sholem Asch
    Mottke der Dieb
    Von den Vätern
    The God Of Vengeance
    Sabbatai Zevi : a Tragedy in Three Acts and Six Scenes With a Prologue and an Epilogue
    Uncle Moses
    The God of vengeance; drama in three acts
    • 4.1(32)Add rating

      Valued by academicians and scholars, this book holds significant literary importance and serves as a vital knowledge resource for future generations. It is presented in its original print format, preserving its authentic nature, including any marks or annotations from its initial publication. This approach ensures that the book's historical context and original essence are maintained for readers.

      The God of vengeance; drama in three acts
    • Uncle Moses

      • 258 pages
      • 10 hours of reading

      Set in turn-of-the-century Poland, Uncle Moses is a gripping tale of one man's struggle to reconcile his traditional Jewish upbringing with the rapidly changing political and social landscape of the modern world. Packed with vivid characters, heartwarming moments, and unexpected plot twists, this captivating novel is a must-read for fans of Jewish literature.

      Uncle Moses
    • The God Of Vengeance

      Drama In Three Acts (1918)

      • 120 pages
      • 5 hours of reading

      Set in a Jewish brothel in early 20th-century Warsaw, the play delves into the tumultuous relationship between Yekel, the brothel owner, and his daughter Rifkele, who falls in love with a prostitute named Manke. Their desire to escape Yekel's oppressive world leads to conflict and tragedy, highlighting themes of love, desire, and the struggle between tradition and modern values. Notably, the play's portrayal of lesbianism sparked controversy upon its release, making it a significant work in LGBTQ+ representation.

      The God Of Vengeance
    • Berlin no date (c. 1925) Ladyschnikow. "Ein Volksstuck in einem vorspiel und drei Akten." Sm.8vo. Near VG. text fine and clean and binding secure, some wear on backstrip.

      Mottke der Dieb