Jan Morris Book order

* Jan Morris on her favorite artist and her favorite city. An enchanting text, richly illustrated "After a good dinner one evening, with excellent company and a bottle of wine, I settled by my fire with a volume of paintings by the 15th century Venetian painter Vittore Carpaccio. For much of my life I have been under the spell of this artist. I am no connoisseur, cultural scholar or art historian. I know nothing about painterly techniques, chromatic gradations or artistic affinities, and my infatuation with him is largely affectionate fancy. I feel I know him personally, and I often sense that I am directly in touch with him across the centuries, across the continents, as one might be in touch with a living friend..." So starts Jan Morris's latest book, which she has said will also be her last: a genial, witty, and touching journey through the endlessly evocative art of Carpaccio. Saluting the painter whose pictures remain some of the most enchanting ever made of Venice, Jan Morris makes her own last journey to a city she has written about like no other. Richly illustrated with complete paintings and eye-catching details, this book is a fitting swansong by a great writer to her favorite painter.

This reprint preserves the essence of a classic originally published in 1857, offering readers a chance to explore its historical context and enduring themes. The book presents a narrative that reflects the societal norms and challenges of its time, providing insights into the characters and their development. Its timeless relevance continues to resonate, making it a valuable addition to any literary collection.

The book explores the journey of a Christian's growth, beginning with the awareness of guilt before God and culminating in spiritual maturity in Christ, as articulated by the Holy Spirit through the Apostle Paul. It also examines the unchanging nature of God's promises to Israel, illustrating their significance in affirming the reliability of God's commitments. Additionally, the text connects these theological insights to practical applications in daily Christian life, emphasizing the transformative power of faith and divine promises.

'Almost nothing in life is only what it seems.'Soldier, journalist, historian, author of forty books, Jan Morris led an extraordinary life, witnessing such seminal moments as the first ascent of Everest, the Suez Canal Crisis, the Eichmann Trial, The Cuban Revolution and so much more.

Necrophilia is not one of my failings, but I do like graveyards and memorial stones and such... Following the publication In My Mind's Eye, her acclaimed first volume of diaries, a Radio 4 Book of the Week in 2018, Jan Morris continued to write her daily musings.

»Ich war drei oder vielleicht vier Jahre alt, als mir aufging, dass ich in den falschen Körper geboren worden war und in Wirklichkeit eigentlich ein Mädchen sein sollte. Ich erinnere mich an diesen Augenblick genau, es ist meine früheste Erinnerung.«Als James Morris geboren, zeichnete er sich im britischen Militär aus, wurde ein erfolgreicher und mutiger Reporter, erklomm Berge und durchquerte Wüsten. Er war glücklich verheiratet, hatte vier Kinder und war allem Anschein nach das, was man als einen männlichen Mann bezeichnet. Bis er sich zu einer Geschlechtsumwandlung entschloss. In »Rätsel« erzählt Jan Morris offen darüber. Es ist einer der frühesten und schonungslosesten Berichte.

'I have never before in my life kept a diary of my thoughts, and here at the start of my ninth decade, having for the moment nothing much else to write, I am having a go at it. Good luck to me.' So begins this extraordinary book, a collection of diary pieces that Jan Morris wrote for the Financial Times over the course of 2017. A former soldier and journalist, and one of the great chroniclers of the world for over half a century, she writes here in her characteristically intimate voice - funny, perceptive, wise, touching, wicked, scabrous, and above all, kind - about her thoughts on the world, and her own place in it as she turns ninety. From cats to cars, travel to home, music to writing, it's a cornucopia of delights from a unique literary figure.

La mijlocul anilor ’30, Paddy, un tânăr cultivat, nonconformist şi aventurier, renunţă pentru o vreme la studii şi porneşte într-o călătorie la pas prin Europa, din Olanda până la Constantinopol. Iar după patruzeci de ani Patrick (Paddy) Leigh Fermor, consacrat deja ca unul dintre cei mai mari stilişti ai literaturii secolului XX, aşterne pe hârtie această odisee de tinereţe inspirându-se din însemnările de pe drum şi lăsându-se purtat de caleidoscopul amintirilor. Între păduri şi ape este povestea călătoriei de la graniţa austriacă până la Porţile de Fier, printr-o Europă Centrală ce sfidează trecerea timpului şi semnele de rău augur ale istoriei. În inima ei, Transilvania interbelică văzută prin ochii drumeţului străin ne pare astăzi un tărâm îndepărtat, desprins din legendă şi mit. În păduri lumina şi penumbra au nuanţe nesfârşite, munţii ascund unghere pline de mister, conacele păstrează pitorescul vechii nobilimi, iar satele îşi etalează în tihnă tradiţiile. Şi, mai presus de toate, diversi¬tatea oamenilor nu împiedică ospitalitatea, prietenia şi chiar dragostea, notele dominante ale acestor pagini de neuitat. „Patrick Leigh Fermor nu poate fi numit pur şi simplu autor de memorii de călătorie; ar însemna prea puţin. Este un artizan de esenţe divine ireductibile, şi fiecare frază a lui pare să locuiască într-o capsulă a timpului.“ (Robert KAPLAN, autorul cărţii În umbra Europei) Văzându-mă încurcat, un vecin mi-a spus cu ce să încep: mai întâi, trebuia să beau păhărelul cu rachiu; apoi să mănânc linguriţa de dulceaţă delicioasă din petale de trandafiri care era pregătită pe o farfuriuţă de sticlă, apoi să beau o jumătate de pahar de apă; şi, în sfârşit, să sorb din degetarul cu cafea densă şi fierbinte vârât într-un suport filigranat. Ritualul trebuia încheiat golind paharul şi primind tutun, în acest caz o ţigară aromată răsucită de mână chiar pe insulă. Între timp, bătrânii stăteau în tăcere şi zâmbeau, oftând din vreme-n vreme, adresându-mi câte-un cuvânt prietenos într-o română aparent stricată; doctorul spusese că pe uscat accentul şi stilul lor stârneau amuzamentul. Între ei vorbeau în turcă, limbă pe care n-o mai auzisem niciodată…

War is one of the greatest human evils. It has ruined livelihoods, provoked unspeakable atrocities and left countless millions dead. It has caused economic chaos and widespread deprivation. And the misery it causes poisons foreign policy for future generations. But, argues bestselling historian Ian Morris, in the very long term, war has in fact been a good thing. In his trademark style combining inter-disciplinary insights, scientific methods and fascinating stories, Morris shows that, paradoxically, war is the only human invention that has allowed us to construct peaceful societies. Without war, we would never have built the huge nation-states which now keep us relatively safe from random acts of violence, and which have given us previously unimaginable wealth. It is thanks to war that we live longer and more comfortable lives than ever before.And yet, if we continue waging war with ever-more deadly weaponry, we will destroy everything we have achieved; so our struggles to manage warfare make the coming decades the most decisive in the history of our civilisation. In War: What Is It Good For? Morris brilliantly dissects humanity's history of warfare to draw startling conclusions about our future.

Farewell the Trumpets: An Imperial Retreat traces the momentous decline and fall of the greatest of empires - from Queen Victoria's Diamond Jubilee to the death of Winston Churchill in 1965.